Went to Coney Island on a Mission from God... Be Back by Five Movie Review
Went to Coney Island on a Mission from God... Be Back by Five Review

"Went to Coney Island on a Mission from God... Be Back by Five" Overview

Rating: R
1998
Cast and Crew
Director : Richard SchenkmanProducer : Jon Cryer,Richard Schenkman
Screenwiter : Jon Cryer,Richard Schenkman
Starring : Jon Cryer,Rick Stear,Rafael Báez,Ione Skye,Frank Whaley,Peter Gerety
Who would have thought that the life of Jon Cryer -- actor in such memorable
films as Hiding Out and Morgan Stewart's Coming Home -- would be such fertile
ground for based-on-a-true-story filmmaking?
Based on a script co-written by Cryer himself, Went to Coney Island on a
Mission From God... Be Back by Five is a movie about, well, exactly that.
Daniel (Cryer) and Stan (Rick Stear) head to the New York landmark in the dead
of winter, based on a rumor they've heard about their childhood friend Richie.
The long-missing Richie, it seems, has taken up residence under the boardwalk,
joining ranks with the insane and otherwise homeless Coney Island-dwellers.
It's Daniel and Stan to the rescue.
Why has Richie gone nuts? Will Stan come to terms with his alcoholism and
gambling issues? Will Daniel loosen up a little? All these questions will be
answered in the 90 minutes that Coney Island runs -- and these are some of the
bleakest moments on film.
Washed out to the point of near monochrome, Coney Island is a hard film to
watch because the anguish onscreen is unrelenting. Cryer and his compatriot
Richard Schenkman have obviously poured a lot of soul into this picture, so
much so that the film feels insular to the cast and crew -- and off-putting to
the audience. Fortunately, a number of lighter moments (and a memorable by
Frank Whaley as a Skee-Ball attendant) make the film quite watchable, not to
mention keeping you, as a viewer, from slitting your wrists thanks to all the
melancholy.
Ultimately, Coney Island tries to be a mini-Magnolia with its tales of
intersecting pasts and presents, and in some aspects it is successful. But
Coney Island could steal a thing or two from Magnolia about how a depressing
story can resonate with an audience by tricking the viewer into caring deeply
about its subjects. The Wonder Wheel may not spin fast enough for that.
Freak shows by the seashore.
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Review by Christopher Null
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