Trust the Man Movie Review
Trust the Man Review

"Trust the Man" Overview

Rating: R
2006
Cast and Crew
Director : Bart FreundlichProducer : Sidney Kimmel,Tim Perrell
Screenwiter : Bart Freundlich
Starring : Julianne Moore,David Duchovny,Billy Crudup,Maggie Gyllenhaal,Eva Mendes,Bob Balaban,James LeGros,Ellen Barkin,Garry Shandling
Something has made Bart Freundlich step away from torrid family melodrama, and
thank goodness for it. The writer-director's Trust the Man is a grown-up and
intelligent version of a romantic comedy, and for all that it is fluffy and
simple entertainment, it's also very good.
Julianne Moore, who has kept her talent for comedy a secret, plays Rebecca, a
successful (if neurotic) actress who spends much of her time spurning advances
from her bored, sex-addicted stay-at-home husband, Tom (David Duchovny). Tom's
best friend is Rebecca's younger brother Tobey (Billy Crudup, ditto on the keen
and heretofore hidden comedy prowess), a slacker freelance writer who is far
more preoccupied with his therapist, his parking spot, and his own mortality
than he is with the mounting frustration of longtime girlfriend Elaine (Maggie
Gyllenhaal), an aspiring children's book author with a ticking biological clock.
Each couple is in one of those familiar ruts always showing up in advice
columns. Since Tom became a house husband, sex is pretty much his only hobby,
and it makes Rebecca less and less interested. And Elaine wants to know when
Tobey will snap out of his immature haze, marry her already – after seven years
of dating – and give her babies.
Their problems are not unique, certainly, and hardly groundbreaking, but they
are relatable, as are their strategies for coping. Being savvy modern New
Yorkers, they mostly rely on a steady dose of therapy, meeting for meals at an
endless parade of Manhattan eateries, and talking. Lots and lots of talking,
over coffee, at a hot dog stand, on the phone, Tom with Tobey, Elaine with
Rebecca, Rebecca with Tobey. These people are nothing if not self-involved and
self-aware.
But surprisingly, they are not as annoying as hyper-verbal, problem-ridden New
Yorkers of the movies can often be. Freundlich created characters who are whiny
indeed, but are so darn affable and charming that they aren't aggravating about
it. Though Rebecca and Elaine are clearly set up to be "right" in their
relationship woes, they easily could have been uncommunicative nags. And the
guys bumble around with clueless selfishness, dipping into infidelity and
cloaking themselves in smart ass comments and defiant irresponsibility. But
Freundlich dresses them both in such a charming mien that they are precisely
the men that women fall for despite themselves. Plus, everyone clings to witty
sarcasm as the defense mechanism of choice, making them entertaining and
likable despite (or because of) their faults.
It certainly helps that the entire cast is first rate and playing to their
considerable strengths. Duchovny is charming and every inch a leading man, even
within an ensemble, and Gyllenhaal can make even baby mania appealing. But both
Crudup – always packaging himself as a "serious actor" despite his pin-up idol
good looks – and Moore, who is arguably one of the best actresses working
today, are winsome and goofy and veritable revelations of comedic acting. He's
gawky and playful and she's self-deprecating and sharp, and both need to vow,
right now, to do more grown-up comedies. We know how funny they can be; they
can't hole up in serious drama forever.
The leads are aided by a wonderful supporting cast that is really a parade of
hilarious cameos – Bob Balaban and Garry Shandling as psychiatrists, Ellen
Barkin as a book editor interested in a little more than Elaine's manuscript,
Eva Mendes as a friend of Tobey's from college who still causes him to
embarrass himself horribly.
Trust the Man does have a few issues – for all that it is intelligent and
mature, it's still a slight and breezy romantic comedy. And though Freundlich
is a sharp writer, he goes a little adrift in the third act, not really able to
wrap everything up without resorting to the handy clichés of the genre and an
overly tidy little bow. But as far as quibbles go, these are rather small, when
compared to the funny and entertaining whole.
The DVD includes deleted scenes, a commentary track from Freundlich and
Duchovny, and a making-of featurette.
Trust the lady, too.
Reviewer: Anne Gilbert





