Tom Dowd & the Language of Music Movie Review
Tom Dowd & the Language of Music Review
"Tom Dowd & the Language of Music" Overview

Rating: NR
2003
Cast and Crew
Director : Mark MoormannProducer : Scott Gordon,Mark Hunt,Mark Moormann
Screenwiter :
Starring : Tom Dowd,Ray Charles,Eric Clapton,Ornette Coleman,Aretha Franklin
Who's Tom Dowd? Even if you're a music nut, you're unlikely to have heard of
the man, though he had an indelible effect on music in a dozen genres, all
working behind the scenes.
Dowd (who died in 2002 after this documentary was completed) was a pioneering
sound engineer who directly or indirectly influenced artists, bands, specific
songs, and the technology underlying it all. Much of Tim Dowd & the Language of
Music focuses on Dowd's pursuit of better mixing technologies. Getting started
in the 1940s and 1950s, the state of the art was pathetic. Dowd's urging and
Radio Shack handiness led directly to the invention of the eight-track mixer
and mixing boards with sliders that could be operated by a single finger
instead of dials that took a full hand to operate.
The documentary focuses on Dowd's reflections from half a century in the
business, with frequent breaks to interview the celebrities he worked with,
including Eric Clapton, Ray Charles, and a host of others. Their remembrances
are remarkably vivid, enhanced with separate commentary from Dowd that gets
incredibly specific, perhaps most so when Dowd walks us through a mix of
Clapton's "Layla." If nothing else, you'll earn a new appreciation for the way
music is produced.
The film takes a bizarre detour (in a good way) when it reveals Dowd's early
work as part of, get this, the Manhattan Project. He was on site during the
atomic bomb tests at Bikini and dropped out of college because he was 10 years
ahead in the field of physics than they were teaching at the time. Really
interesting stuff -- has little to do with music, but it enriches this special
film quite a bit.
Now on DVD, the movie includes another 90 minutes of extra scenes and
interviews not included in the final cut.
|
Review by Christopher Null
|






