They Came Back Movie Review
They Came Back Review
"They Came Back" Overview

Rating: NR
2004
Cast and Crew
Director : Robin CampilloProducer : Caroline Benjo,Carole Scotta
Screenwiter : Robin Campillo,Brigitte Tijou
Starring : Géraldine Pailhas,Jonathan Zaccaï,Frédéric Pierrot,Victor Garrivier,Catherine Samie
BRAAAAAAAAAAAAAAAAAAAINS!
Er, JOOOOOOOOOOOOOOOOOBS!
Robin Campillo's meditation on people from beyond the grave is perverse and
unique, if a little unclear on what the point of it is.
The opening scene sets the stage: A legion of people, mostly elderly, are seen
strolling quietly out of the cemetary in a small French town. 70 million people
have risen from the grave, we're told, and we never venture outside this
hamlet, we don't really have to: 13,000 "returnees" have descended on this city
alone.
And they aren't attacking. They're just back, and though they're a little slow,
a little weird, and a little chilly, they want back into society just like it
was before. Only they've all been replaced in their jobs, their families have
moved on, and there's nowhere for them to stay. Not to mention: All the
returnees are kinda strange. They wander nine miles each day, they seem a
little autistic, and they don't do well in positions of authority. The
government pays to give them work, but myriad problems remain. Much of the film
concerns the city managers trying to figure out how to cope with the sudden
influx of (nearly useless) residents, while the rest of the film plays out over
a couple of personal stories (primarily concerning the return of Géraldine
Pailhas's deceased husband). Meanwhile, we're left to wonder what might happen
when 13,000 "revenants" turn into full-fledged brain-sucking zombies.
It's a moment you'll spend a long time waiting for, and I won't spoil whether
or not it does. But Campillo, in her directorial debut (having written the
script for the masterful Time Out), seems to give up on this story in its final
act. It's a terrifyingly interesting premise -- and not just because of the
fear of horrible things to come, but because you immediately start to wonder
how you'd respond if you were among the living here -- but Campillo never goes
anywhere with it. Instead, we end up with a kind of aborted film that's mostly
about how paranoid people are, and not the mind-blower that it really ought to
have been.
Aka Les Revenants.
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Review by Christopher Null
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