The Man from Elysian Fields Movie Review
The Man from Elysian Fields Review
Weak
Rating: R
2001
Cast & Crew
Director : George Hickenlooper
Producer : Donald Zuckerman, David Kronemeyer, Andrew Pfeffer, Andy Garcia
Screenwriter : Phillip Jayson Lasker
Starring : Andy Garcia, Mick Jagger, James Coburn, Olivia Williams, Julianna Marguiles, Anjelica Huston, Michael Des Barres
ADVERTISEMENT
Andy Garcia Photos
  
|
Andy Garcia Movie Reviews
Andy Garcia Stories
- THE THINGS THEY SAY 15838
- GARCIA TALKED HIMSELF OUT OF PLAYING PFEIFFER'S HUSBAND
- GARCIA & BRIDGES KEEN TO RECORD AN ALBUM
- GARCIA REFUSED TO WATCH DAUGHTER'S STRIPPING SCENES
Andy Garcia Videos
 |
Pink Panther 2, Trailer |
 |
Ocean's Thirteen, Clip |
 |
Oceans Thirteen - Main Trailer |
James Coburn is just great in The Man from Elysian Fields, one of his final
performances before recently succumbing to a heart attack. As a dying,
once-great novelist, the veteran actor displays a combination of fire and
vulnerability that makes him a riveting presence.
Unfortunately, such generous adjectives can’t be used for Elysian, which has a
promising premise but does little of interest with it. Andy Garcia plays Byron
Triller, a struggling novelist who has mounds of trouble supporting his young
family. Out of luck and out of nowhere, Byron meets a mysterious, upscale pimp,
Luther (Mick Jagger), who thinks Byron would be an ideal addition to his escort
service.
Byron is initially reluctant, but he’s soon regularly dating the beautiful wife
(Olivia Williams) of great novelist Tobias Alcott (Coburn). Alcott understands
that he can’t satisfy his wife anymore and accepts Byron. Soon after, he learns
of Byron’s other profession and asks Byron to evaluate his manuscript. That
opportunity begins a chain of events that affects Byron’s personal and
professional life, especially his relationship with his supportive and somewhat
oblivious wife (Julianna Marguiles).
The acting in Elysian is solid, especially from Coburn as well as Jagger -- who
seems to have been born for this role. Coburn and Garcia also have some great
scenes together, showing the passion writers have for their work. But Phillip
Jayson Lasker’s script lets everybody down. Byron’s decision to alter his
lifestyle is handled with about as much urgency as if he was buying a new pair
of loafers. You’re never fully convinced that he’s risking anything. The
filmmakers also ruin Luther by briefly chronicling his love affair with a
client (Anjelica Huston in a pointless role). Their two scenes go a long way in
destroying the influence Luther has on Byron, as well as puncturing his persona
as a mysterious lothario. Lasker probably wanted to prove a point about the
perils of fidelity but it deflates any on-screen sexiness (which is oddly
lacking to begin with).
Enjoying Elysian takes a pretty big leap of faith, but the sense of convenience
eventually becomes smothering. The ending feels overwhelmingly phony,
considering the string of struggles that continue to befall Byron. Hasn’t the
guy suffered enough already? A movie at its best is a form of virtual reality;
it’s a representation of another world. At about the 80-minute point in Elysian
, we see how the strings are pulled. Suddenly, hackneyed events take place that
seem done solely to drum up emotions and to get the best possible ending.
Marguiles’s character suddenly gets a backbone, Williams’s character does an
about face that comes straight from a soap opera and Byron gets one step closer
to living in a dumpster. And there’s more after that.
I would have enjoyed Elysian more if the filmmakers had tried to ease off the
dramatic fireworks and just let the characters and their dilemmas naturally
progress. By the end, we don’t feel as if we know the people or what they’ve
endured. All we know for sure is that Coburn will be missed.
Pull harder.
