The Lovemaster Movie Review
The Lovemaster Review
"The Lovemaster" Overview

Rating: R
1997
Cast and Crew
Director : Michael GoldbergProducer : Tom Coleman
Screenwiter : Michael Goldberg,Craig Shoemaker
Starring : Craig Shoemaker,George Wendt,Courtney Thorne-Smith,Harley Jane Kozak,Farrah Fawcett
Comedian Craig Shoemaker says pretty early on in his new film The Lovemaster,
"My life is my act!"
He's not joking, and if you've ever heard any of Shoemaker's stand-up material,
you know what you're in for with his feature film, where Shoemaker blends his
multiple stage personalities with stories about growing up, the mysteries of
women, and 1970s television, the result being a campy goulash of
howlingly-funny comedy.
Most of the film is cut together from an Arizona stand-up performance, where
Shoemaker's real forte shines. That forte is the characters that he plays on
stage, from a much-too-realistic Barney Fife, to "vagina man" (don't ask), to
the end-all, be-all of human lust -- The Lovemaster, a guy so sexy he makes
Barry White look like a wuss. Shoemaker slips in and out of these characters
like a schizophrenic without his Prozac, getting more and more twisted until
finally, safe-&-sane Craig inevitably pops out, trying to undo all he's done
with a fey cry, "Erase! Erase! Erase!"
While the 82-minute picture is mostly stand-up, it also includes some flashback
vignettes outside the club, mainly to expound upon jokes Shoemaker has going on
inside. These mainly involve Craig and his therapist (George Wendt), wife
(Harley Jane Kozak), platonic friend (Courtney Thorne-Smith), and dream date
(Farrah Fawcett). And while these bits are supposed to show you how his life
is his act, the act itself is usually a lot funnier. (Austinites will also
enjoy cameos from the city's KLBJ morning radio personalities -- Dale Dudley,
Bob Fonseca, and Debra Cole.)
Of course, making a movie in the environs of a comedy club certainly has its
limitations, and Shoemaker does his best to overcome them, mainly by toying
with audience members, and succeeds as well as can be expected. Still, there's
something lacking in the production values of the whole thing. And while the
jokes don't really get going until the halfway point, The Lovemaster still
remains a fine example of the stand-up genre.
Besides, where else can you see Barney Fife talk dirty in slow-motion?
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Review by Christopher Null
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