The Invention of Lying Movie Review
The Invention of Lying Review
"The Invention of Lying" Overview

Rating: 12
2009
Cast and Crew
Director : Ricky Gervais, Matthew RobinsonProducer : Ricky Gervais, Dan Lin, Lynda Obst, Oly Obst
Screenwiter : Ricky Gervais, Matthew Robinson
Starring : Ricky Gervais,Jennifer Garner,Jonah Hill,Louis CK,Jeffrey Tambor,Fionnula Flanagan,Rob Lowe,Tina Fey
As bright and witty as this film is, it never quite generates enough momentum
to be a comedy classic. It feels more like a gently meandering movie version of
a high-concept sketch. At least it's peppered with sharp gags.
In an alternate reality in which humanity hasn't developed the ability to lie,
Mark (Gervais) is a loser who accidentally discovers dishonesty and quickly
realises the power of his words in a world where everyone believes him. Lying
his way to fame and wealth is easy, but things start to spiral out of his
control when people develop a religion based on his tall tales. And his biggest
problem is that he wants Anna (Garner) to fall in love with him. But lying to
her would be cheating.
Allegorical elements add some intriguing subtext (although Monty Python
addressed the same issues with Life of Brian 30 years ago), but Gervais and
Robinson have a too-light touch, centring on set pieces that are goofy and
amusing but don't dip too far beneath the surface. Essentially, the one joke is
that people speak the cold, brutal truth in nice, matter-of-fact ways. And the
simplistic observation is that, even if you could get all the money and sex you
wanted, it's more fun to help people.
There's still plenty to enjoy, from Gervais' offhanded and charming performance
to the strong supporting cast, including hilarious small roles for Lowe and Fey
plus terrific cameos by Jason Bateman, Christopher Guest and other Gervais
stalwarts. But with an approach this thin, there's not much the filmmakers can
do with the characters. They all seem a bit cartoonish, and most of the actors
seem to be waiting around for Gervais' next routine.
So it's strange that, rather than accelerate the comical potential (or dip
further into the fantasy), the film instead turns to sappy sentimentality for
its final act, getting increasingly serious-minded. We know from the start that
Anna will eventually realise that wants to have short, fat kids, so her
protests get somewhat tiring and her big moment of understanding feels cheap.
There are plenty of solid laughs along the way, but Gervais should have been
much bolder with the idea.
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Review by Rich Cline
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