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The Hottest State Movie Review
The Hottest State Review

"The Hottest State" Overview

Rating: R
2007
Cast and Crew
Director : Ethan HawkeProducer : Alexis Alexanian,Yukie Kito
Screenwiter : Ethan Hawke
Starring : Mark Webber,Catalina Sandino Moreno,Michelle Williams,Ethan Hawke,Laura Linney,Sonia Braga,Josh Zuckerman
The film version of Ethan Hawke's The Hottest State, which he adapted from his
own novel of the same name, represents a strange form of time-travel. In it,
the young actor Mark Webber embodies the kind of character -- self-conscious,
scruffy, chatty, and able to make self-deprecation seem downright pretentious
-- that Hawke himself grew out of playing about 10 years ago. Webber even
sounds a bit like Hawke in his voiceover narration; it's like a low-tech
version of motion capture, allowing Hawke to virtually direct his
ten-years-younger self.
Perhaps not coincidentally, a decade back is about when the novel version of
The Hottest State came out. Webber/Hawke's William is an aspiring actor,
apparently, though if this aspect of the character is autobiographical, Hawke
left out any details that explain how exactly he got through any auditions
without clever asides or other low-key hipster gestures. William is the type of
guy who talks about acting almost exclusively in terms of personal metaphors
about pretending and deception, despite never appearing to act like anyone but
his own insecure, talkative self. While I don't doubt that some young actors
behave this way, I have a little more trouble believing they'd somehow get
flown down to Mexico to star in an Alfonso Cuarón movie (the name of the
fictional film's director is never mentioned, but it's briefly visible on a
clapboard, just long enough to register vague disbelief, even if it is just an
autobiographical in-joke -- the real-life Hawke appeared in Cuarón's version of
Great Expectations).
While living in New York, William gets involved with Sara (Catalina Sandina
Moreno), an aspiring singer-songwriter, and their relationship anchors most of
the film, in the sense that it leads the way as it sinks to the bottom. William
spends so much time engaged in conversations that are so cutely conceptual --
he clearly prefers performance art to film acting -- that you wonder how Sara
is able to relate to him on a human level. The film seems to think William's
insecurity has something to do with his estranged father, but its flashback
scenes are too slim to add real motivation.
Needing to match William's youthful impulses, Hawke writes equally inexplicable
behavior for Moreno to create the necessary conflict; essentially, he proclaims
his love while she alternates between returning it and warning him away. On the
balance, their coupled bliss is more inscrutable than any of their misery. The
confusion extends to simple continuity: At one point in the film, William and
Sara both act as if they haven't had sex yet even though they have.
The insularity of their relationship may be intentional -- Hawke clearly wants
to keep the focus tight -- but lacking full-bodied supporting characters does
no favors for a feature-length film. Hawke tries to gently rib William's
young-artist friends during a party scene that Sara quickly flees, but he's too
romantic for satire, or to see how much talent goes to waste in the margins of
his film; the film is almost perverse the way it sticks good actors (Laura
Linney, Michelle Williams, and Hawke himself) in tiny roles while Webber and
Moreno go at it.
Occasionally, Webber comes across scenes that utilize his youthful desperation:
an excruciatingly awkward dinner with Sara's tipsy mother (Sonia Braga), or
even a few anxious moments pacing as he waits for Sara to come out of the
bathroom. The key ingredient in these scenes is silence. The characters have
the space to show sides not dependent on proclamations and warnings.
I have never experienced this story in book form, but contrary to just about
any natural assumptions regarding novels written by actors, the aforementioned
narration (which sounds like bits of prose) has better lines than any of the
relentless, repetitive dialogue. Hawke may well have talent as a writer, and
his visual sense is certainly decent, giving the film a sun-faded quality
whether in the chill of New York or the burnished warmth of Texas (William's
home state). But The Hottest State is also full of odd echoes of the Before
Sunrise/Sunset series Hawke starred in for Richard Linklater -- brief periods
of intense, soul-baring romance; impromptu travel; amateur singing. The fusion
of the actor's on and off-screen experiences (and talents) feels mismatched --
like a doomed romance with himself.
The actual hottest state? Florida.
Reviewer: Jesse Hassenger
Bright Eyes, CAt Power, Feist, Norah Jones, Willie Nelson...what a great
soundtrack! I have yet to see the film, but if it is as good as the soundtrack
I will be pleased! I recommed everyone to check this soundtrack out, it is
definately one of my favorites of the year!
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