The Duellists Movie Review
The Duellists Review
"The Duellists" Overview

Rating: R
1977
Cast and Crew
Director : Ridley ScottProducer : David Puttnam
Screenwiter : Gerald Vaughan-Hughes
Starring : Keith Carradine,Harvey Keitel,Albert Finney,Tom Conti,Diana Quick,Cristina Raines
In every director's past there are some strange departures. Ridley Scott's
directorial debut, The Duellists, is no exception: It's a competent but
slow-paced outing that offers no hint that Scott would soon be making exciting
thrillers like Alien and Blade Runner.
To be fair, The Duellists (based on Conrad's The Duel) is a type of movie made
often in the 1970s -- a low-tech but visually authentic historical drama. As
with '70s westerns, the point was to make a new kind of period drama
emphasizing cinematic realism at the expense of entertainment values (instead
of the other way around). The film is based on a Joseph Conrad story about a
quarrel between two soldiers in Napoleon's army which turns into an obsessive
folie a deux. Kind of a Gallic High Noon, but not as entertaining as High
Noon.
A young, pigtailed Harvey Keitel plays Lt. Gabriel Feraud, a fool who likes to
duel. Motivated by envy or wounded pride or French hotheadedness (it's not
clear), Feraud picks a fight with soldier Armand D'Hubert (Keith Carradine).
They duel. And duel again, and again. But their quarrel is unresolved and
festers for decades, following the two men to Poland and eventually Russia,
where the killing winter keeps the duellists from scrappin'. After the two men
return to France, the regime changes and Feraud is arrested for treason, but
D'Hubert intervenes to spare his life so that they can duel again.
The Duellists is not a bad film; the story is interesting, and the location
scenes are well-chosen. But the action scenes are too widely spaced to keep
the film from drifting into boredom, especially for audiences expecting
non-stop action (such as Scott's later blockbusters deliver). Personally, I
can't stand the French sensibility at the best of times, so I'm the wrong
person for a movie like this. But the real problem is that the characters are
underdrawn. As a result, it's hard to care much about Keitel's meatheaded
character. Or Carradine's effeminate soldier. Or the women who love them
(though Diana Quick shines in a small role as D'Hubert's mistress who later
becomes a prostitute).
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Review by David Bezanson
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