The Cutting Edge: The Magic of Movie Editing Movie Review
The Cutting Edge: The Magic of Movie Editing Review
"The Cutting Edge: The Magic of Movie Editing" Overview

Rating: NR
2004
Cast and Crew
Director : Wendy AppleProducer : Wendy Apple,Alan Heim
Screenwiter : Mark Jonathan Harris
Starring : Kathy Bates,Dede Allen,Conrad Buff IV,Donn Cambern,James Cameron,Jay Lash Cassidy,Richard Chew,Anne V. Coates,Rob Cohen,Chris Columbus,Wes Craven,Jodie Foster,Antony Gibbs,Mark Goldblatt,Alan Heim,Paul Hirsch,Tina Hirsch,Michael Kahn,Lawrence Kasdan,Lynzee Klingman,Chris Lebenzon,Carol Littleton,George Lucas,Richard Marks,Craig McKay,Sally Menke,Anthony Minghella,Walter Murch,Alexander Payne,Sean Penn,Tom Rolf,Pietro Scalia,Thelma Schoonmaker,Martin Scorsese,Ridley Scott,Howard E. Smith,Steven Spielberg,Zach Staenberg,Quentin Tarantino,Kevin Tent,Dylan Tichenor,Michael Tronick,Frank J. Urioste,Paul Verhoeven
While "magic" may be a little strong, The Cutting Edge: The Magic of Movie
Editing is a surprisingly interesting film. If you're a filmmaker or an
aspiring critic, it may well be essential viewing.
This documentary is precisely what it's title purports to be, an in-depth and
instructive look at movie editing that literally spans 100 years of film
history, from The Great Train Robbery to Cold Mountain. Through interviews with
a copious number of directors and editors, The Cutting Edge covers everything
from basic editing techniques like the matching of cuts to modern editing
theory as inspired by MTV and The Matrix. The film goes into extreme detail in
parts, like when we get to see James Cameron's trick of removing one frame per
second out of Terminator 2 to give it more momentum and realism. It's all a
little bit insidery and self-congratulatory, but the movie works far more often
than not. Any film buff will find it hard not to like.
With some 50 movies featured, it's a little too easy to nitpick about the
choices director Wendy Apple makes in picking films to profile. Some of the
selections are great, some are considerably less so, including XXX and at least
one Steven Seagal movie. Apple works in some of the obvious choices --
comparing The Untouchables with Battleship Potemkin -- but she also finds room
to juxtapose Triumph of the Will with Starship Troopers. Apple knows her stuff,
and though I can't forgive her for not including a detailed run through of one
of the most famous moments in editing -- the shower scene from Psycho -- she
does at least give the film a brief nod.
The movie that gets the most attention in the film is, strangely, Cold
Mountain. We spend a long while in Walter Murch's high-tech editing studio as
he walks us through the cutting of about 10 seconds of film. It's fascinating,
but I can't help but wish it hadn't been a more exciting scene in a more
noteworthy movie.
And by the way, who knew so many movie editors were women?
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Review by Christopher Null
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