The Big White Movie Review
The Big White Review
"The Big White" Overview

Rating: NR
2005
Cast and Crew
Director : Mark MylodProducer : Christopher Eberts,David Faigenblum,Chris Roberts
Screenwiter : Collin Friesen
Starring : Robin Williams,Holly Hunter,Giovanni Ribisi,Tim Blake Nelson,W. Earl Brown,Woody Harrelson,Alison Lohman
It's kind of bizarre that The Big White never landed a proper theatrical
release. I mean, how many Robin Williams/Holly Hunter/Woody Harrelson movies go
straight to video?
Well, one that I know of.
The Big White's marketing problems almost without question relate to its
similarity to Fargo -- a film you never want to try to go head to head against.
Williams plays a financially distraught travel agent named Paul. Desperate for
cash (and Tourette's-suffering wife Margaret (Hunter) is no help), he lucks out
when he comes across a dead body in a Dumpster, takes out a quickie life
insurance policy on his long-lost brother, then puts bacon on his face and
leaves him to the wolves. The cops find a faceless body with the brother's ID,
and Paul tries to collect. But soon the thugs (Tim Blake Nelson and W. Earl
Brown) come looking for their body, track him to Paul, and the hijinks begin.
Meanwhile, the insurance agent (Giovanni Ribisi) is on to him, and the real
brother (Harrelson) unexpectedly returns from a permanent state of drugged-out
missing... and everyone wants a piece of the cash. And incidentally, it all
takes place in the frozen land of Alaska (though Manitoba subs for the U.S.
state).
Sound familiar? There's no way to review this frozen double-cross story without
thinking of Fargo every step of the way. Williams even seems to be aping
Wililam H. Macy in his continuing quest for credibility as a "serious" actor.
And he pulls it off. The Big White is a very good and underrated little movie,
full of black comedy, clever coincidences and plot twists, and fun performances
from Hunter, Harrelson, and Alison Lohman as Ribisi's telephone psychic
girlfriend.
And yet it is so very familiar. Director Mark Mylod (best known for doing the
Ali G Indahouse TV show) and writer Collin Friesen (who made a film called Farm
Sluts) are slaves to the Coen brothers. Great mentors yes, but The Big White
loses too many points for originality, to the degree where it eventually starts
to feel like a derivative instead of an homage.
Did I mention Fargo yet? Just checking.
Reviewer: Christopher Null





