Terminator 3: Rise of the Machines Movie Review
Terminator 3: Rise of the Machines Review

"Terminator 3: Rise of the Machines" Overview

Rating: R
2003
Cast and Crew
Director : Jonathan MostowProducer : Andrew G. Vajna,Mario Kassar,Joel B. Michaels,Colin Wilson,Moritz Borman,Guy East,Nigel Sinclair
Screenwiter : Tedi Sarafian,John Brancato,Michael Ferris
Starring : Arnold Schwarzenegger,Nick Stahl,Kristanna Loken,Claire Danes
When Arnold Schwarzenegger first uttered, “I’ll be back,” nearly 20 years ago,
someone should have asked him, “How many times?” Terminator 3: Rise of the
Machines marks Arnie's third go-round as the futuristic cyborg, and tweaks the
formula just enough to keep us entertained.
Already, T3 has a strike against it. Sequels with “Three” in the title tend to
reek, from The Godfather: Part III to Jaws 3-D. Strike two comes in the form of
high expectations. Twelve years ago, James Cameron raised the bar with
Terminator 2: Judgment Day, a superior sequel and a long-standing leader in the
high-tech special effects field. The shoes director Jonathan Mostow (U-571) was
asked to fill look mighty big.
T3 may not surpass expectations, but it certainly holds its own against
formidable company. A somber voice-over reminds us how John Connor (now played
by Nick Stahl) and his mother, Sarah, narrowly avoided judgment day when they
demolished the SkyNet labs and wiped out any trace of Terminator technology.
Ten years later, the machines are sending back an advanced Terminator model,
the T-X (Kristanna Loken), to eliminate more targets. As before, the trusty yet
outdated T-101 (Arnold Schwarzenegger) also arrives, though his mission is to
protect Kate Brewster (Claire Danes), who plays a prominent part in the future
resistance.
Instead of rehashing plot points, screenwriters John D. Brancato and Michael
Ferris conjure a creative thread that furthers our association with SkyNet. A
super-virus infects our nation’s computers, crippling everything from household
Internet to government security systems. The untested SkyNet prototype can
combat the virus, but for a few crucial minutes, humans would be removed from
the equation and machines would be in control. Air Force official Robert
Brewster (David Andrews) wants to avoid this scenario, but he’s being pressured
to take action.
While Brewster weighs his options, daughter Kate flees the T-X with the help of
Connor and the T-800. Aside from the usual morphing techniques and an improved
arsenal of weapons, the beautiful T-X has some fancy tricks up her sleeve. Most
impressively, she controls driver-less vehicles, using them as battering rams
to amplify the film’s gut-punching car chase.
Those who relished the final 20 minutes of T2 will be most satisfied by T3.
Mostow’s relentless film pounds forward with brute force, squeezing in plot
points wherever possible. Once the explosions cease, emotional trauma grinds T3
to a jogger’s pace. Stahl’s name proves fitting, for every time he attempts to
apply deeper meaning to the chaos, his lack of talent causes T3 to peter out.
He possesses none of the rebellious arrogance or cocky swagger that young
Edward Furlong brought to the Connor role in T2. He might as well be reading
transcripts from a Court TV session.
Thankfully, T3 isn’t a tearjerker, unless you cry at the sight of pain. The
pint-sized Loken tosses Schwarzenegger around with ease during ruthless fight
sequences but doesn’t strike the intense fear Robert Patrick achieved in T2.
Danes, the other leading lady, plays the “shrieking victim,” yet still brings
depth to a poorly written role. Her best line is, “Just die, you bitch!” Lord,
I miss Linda Hamilton.
Finally there’s Schwarzenegger, who turns 56 on July 30, but doesn’t look a day
over 40. If his political aspirations don’t keep Schwarzenegger out of
Hollywood, I’d estimate he has two more Terminator movies left in him. And if
future directors can bring the liveliness and skill that Mostow musters here,
“I’ll be back” could be more of a promise than the threat it’s intended to be.
Two DVDs make up the T3 home experience, and it's a doozy. First is a pile-on
commentary track from Mostow and the four principal actors (if nothing else you
can finally get to hear Loken speak more than her two or three lines). Mostow
does a solo track as well for the purists who want all the directorial dirt.
Disc two offers the usual behind the scenes looks and documentaries. The gag
reel is worth a look, and there's only one deleted scene, but it's one of the
funniest parts of any of the Terminator movies, hands down. (And for that
reason, it's an obvious cut.)
Terminatrix, why ya buggin'?
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Review by Sean O'Connell
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