Surviving Evil Movie Review
Surviving Evil Review
"Surviving Evil" Overview

Rating: 15
2009
Cast and Crew
Director : Terence DawProducer : Anton Ernst, Malcolm Kohll, David Pupkewitz
Screenwiter : Terence Daw
Starring : Billy Zane,Natalie Mendoza,Christina Cole,Louise Barnes,Colin Moss,Joel Torre,Gerald Zarcilla,Kim Flynn
An enjoyable B-movie vibe plus vivid characters makes this cheesy jungle
thriller far more enjoyable than it should be. And as it gets increasingly
ridiculous, the plot gets funnier by the moment. Although perhaps that wasn't
the intention.
On an idyllic Filipino island, intrepid survivalist Seb (Zane) arrives to film
his new TV show. Tense producer Rachel (Barnes) has a history with sexy
cameraman Dex (Moss), while blonde newbie Phoebe (Cole) is trying to learn the
ropes, as is local girl Chill (Mendoza). But their guide Joey (Torre) has a
dark secret. He also knows something about the mythological shapeshifting
monsters that are prowling in search of men to kill and women to impregnate. If
anyone survives it'll be a miracle.
With a terrific setting (it was filmed near Durban) and the enjoyably banal
setup, the script quickly gets down to business giving the characters as much
back-story as possible. And the cast dives in with gusto. Zane has a great time
with the fearless, over-serious leader role, Barnes is terrifically on edge
from the start, and Torre gets the most ludicrous scenes as the guy who has to
explain everything before heading off on his own private mission, which is
thoroughly absurd.
From the start, we have the clear sense that these interlopers have no idea
what they're bumbling into, and the filmmakers have a great time unnerving them
with gigantic bugs, loud night-time noises, rustlings in the foliage,
dead-battery phones and a savagely empty village. So even before dismembered
arms and toothy dead babies start falling from trees, they're already
thoroughly freaked out. Except that we're not even remotely scared, because
it's all so inane.
Sure, the whole thing feels like a cheap TV movie, with its straightforward
script, too-grisly makeup and orchestrations that swell so much we start to
think it's a spoof score (there's even a closing-credits theme song performed
by Mendoza). Soapy touches add enjoyable subtext, and the crazy shock moments
are hilariously nutty. So by the time Joey starts telling gleefully grisly
campfire stories that might be true, we realise that the whole film feels like
that kind of story. And you don't really want it to end.
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Review by Rich Cline
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