Rosetta Movie Review
Rosetta Review
"Rosetta" Overview

Rating: R
1999
Cast and Crew
Director : Jean-Pierre Dardenne,Luc DardenneProducer : Jean-Pierre Dardenne,Luc Dardenne,Laurent Petin,Michele Petin
Screenwiter : Jean-Pierre Dardenne,Luc Dardenne
Starring : Emilie Dequenne,Fabrizio Rongione,Anne Yernaux,Olivier Gourmet
Fair warning! Don’t eat a big meal before you watch Rosetta. If you thought
the handheld camera motion from The Blair Witch Project was bad, you’ll be
stumbling out of this one with a splitting headache and nausea that only
Dramamine can prevent or projectile vomiting can cure. At least in Blair Witch
the technique served a purpose that added an element of mystery to the film.
Rosetta, on the other hand, was so dull and convoluted that the hand held style
fails miserably in its attempt to create a "realistic atmosphere." Directors
Luc and Jean-Pierre Dardenne should issue a warning for theaters to block off
the first eight rows of every location that this movie opens so that nobody
gets too close to the screen, plus they ought to provide those handy little
barf bags, just in case you have a weak stomach like me.
Rosetta, played by newcomer Emilie Dequenne, is a seventeen year-old adolescent
suffering through a miserable life in Seraing, Belgium. She lives in a trailer
park with an alcoholic mother who prostitutes herself for booze and food. Her
home barely has running water and cannot even provide shelter from the cold
wind. Despite her horrid circumstances, the film chronicles her incredible
perseverance and strength as she attempts to get a job that will provide food
and rent money for her desolate family to survive.
The film’s production is primarily at fault for its failure. Subtitled in
English, several key scenes have white backgrounds, which make the writing on
the screen illegible. Unless you speak French, you'll have no clue as to what
is being said. Also, the film never explains the significance of Rosetta’s
perplexing stomach ailment, which plagues her whenever she expresses any strong
emotions. These crucial blunders, coupled with the poor handheld photography,
spoil Emilie Dequenne’s performance, which resonates as the only bright spot of
the whole film.
This is one that should be avoided if you’re a movie hound looking for kicks
this holiday season. But if you insist on seeing it, I don’t recommend eating
cheese-filled pastries right before, like I did.
Reviewer: Athan Bezaitis



