Premonition Movie Review
Premonition Review

"Premonition" Overview

Rating: PG-13
2007
Cast and Crew
Director : Mennan YapoProducer : Andrew Sugerman,Lars Sylvest,Nick Hamson
Screenwiter : Bill Kelly
Starring : Sandra Bullock,Julian McMahon,Nia Long,Peter Stormare,Amber Valletta
Forgive me for treading lightly through this Premonition review, but the last
time I tried to discuss the film in detail, Sony reprimanded me.
The reason I find this so funny is because the out-of-order thriller
consciously jumbles its supernatural narrative in an effort to dodge easy
explanations. You're going to want to discuss possible theories with those
who've seen it, which is exactly what I planned to do while working the
Premonition press junket weeks ago.
I took my seat across from the film's co-star, Julian McMahon, and floated an
assumption about his mysterious character -- a supposedly dead suburban spouse
who keeps reappearing to his confused wife, played by Sandra Bullock.
"That's a really interesting idea," said McMahon with genuine interest (and no,
I can't reveal the idea here). "No one has posited that one to me yet. What I
really think is…"
That's when we were cut off. Studio handlers hovering nearby started waving
their arms and dancing in place. One stood between McMahon and me as he
listened intently to his headset before finally saying, "We don't think he
should be answering these questions." The studio flack listened again for half
a minute before asking, "Can you rephrase the question so as not to ask Julian
anything about his character, or the movie?"
As you can imagine, that's difficult. So here we are, tiptoeing around a juicy
beyond-the-grave mystery that hinges on a central character I’ve been told not
to discuss.
What can be said? Well, McMahon plays Jim Hanson, a loving husband and father
of two who leaves a mysterious phone message for his wife, Linda (Bullock), at
the beginning of the film. He's away on a business trip but informs her that he
meant what he said in front of their children -- we’ll eventually learn what
that means -- and that he can't wait to see his family again. Only he never
does. A police officer knocks on Linda's front door and informs her that Jim
died in a car crash the day before.
Then things get really confusing. After dealing with funeral homes and grieving
family members, Linda gives in to slumber, wakes up the next morning, and finds
out Jim's still alive. Or is he? She checks the date and realizes it's two days
before his planned trip, so he hasn't perished in a fiery wreck. Did she
experience one of those dreams that are so realistic we need a few minutes to
acclimate when we wake up? Or was it foreshadowing of things to come?
Before Linda can get her bearings, time shifts again. And again. And then some
more. Premonition, penned by Bill Kelly, fluctuates back and forth between the
days prior to Jim's crash and the days immediately after. Unfortunately for
Linda (and, by extension, for Bullock), she's the only one who is aware of
these drastic skips, and the incomplete truths are driving her insane. What is
the connection between Jim and the petite blonde woman (Amber Valletta) who
showed up at his funeral? When did Dr. Norman Roth (Peter Stormare) prescribe
that lithium for Linda? Is the medication the cause of her illusions? Are they
illusions at all?
German director Mennan Yapo explores alternate forms of psychological horror.
His movie has quick and easy jolts lifted from the Asian horror genre, but it
rises above expectations when developing more realistic (and vastly more
terrifying) setups rooted in possible chills. There's a lengthy scene in an
asylum where we begin to question Linda's sanity. These catch-22 scenes, when
handled correctly, always scare me, because the more someone tells a
psychiatrist they're not crazy, the crazier we think they are.
Needless to say, without Bullock, Premonition would crumble like a piece of
Entenmann's coffee cake. Heady and somber, the movie tests our patience at
times, but we remain invested because the actress automatically earns our
sympathies and respect.
I'm not sure how many will follow Premonition down its eventual philosophic
paths -- the film attempts to grasp fluid topics like fate and religious belief
as it ponders if we can be punished for things we didn't do yet. And it answers
most of its mysteries, even if the resolutions are disappointingly vague. Or
maybe I shouldn't have said that. Maybe I've given too much away. Sony, if
you're reading this, I didn't mean to...
I see... you getting hit by a truck.
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Review by Sean O'Connell
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