Our Brand Is Crisis Movie Review
Our Brand Is Crisis Review

"Our Brand Is Crisis" Overview

Rating: NR
2006
Cast and Crew
Director : Rachel BoyntonProducer : Rachel Boynton,Steven Shainberg
Screenwiter :
Starring : James Carville,Tad Devine,Stan Greenberg,Gonzalo Sánchez de Lozada
In the new political documentary Our Brand is Crisis – or, as it could have
been named, James Carville and Friends Go To Bolivia! – a team of blue-shirt
and khaki-pants D.C. consultants head south to help run the 2002 presidential
campaign of Gonzalo Sanchez de Lozada, aka “Goni.” A cursory glance at the
headlines which have been coming out of Bolivia recently is all the clue you
need to see how well that turned out for the consultants, Goni, and the country
in general.
The election documentary is a rich field for the non-fiction genre, melding the
fly-on-the-wall recordings of nuts-and-bolts decision-making – all those
backroom discussions normally never seen by the electorate – with the built-in
drama of an impending popular contest. With her first feature release, director
Rachel Boynton has chosen her subject perfectly and handles it just about as
well, landing Our Brand is Crisis in the company of films like The War Room and
the more lighthearted Journeys with George.
Like in most films of this kind, the candidate himself is not the star, not
even close. It’s instead his gringo handlers, the hot-shot D.C. boys there to
lend their brand of magic to Goni’s campaign. The consultants all hail from the
firm GCS (Greenville, Carville and Shrum), which identifies itself as a
“progressive” consultancy, that is, they’ll work for candidates all across
America and the world but only for the ones whom they believe line up at least
somewhat with their own belief system. Given that the star of the firm (and
inevitably the film itself, given his driving urgency and off-color jokes) is
the bullet-headed Carville, GCS’s values favor a Clintonian and Blair-ite
middle-road blend of “progressive” politics and market economics. In Goni, GCS
feels they have found the ideal candidate, a stalwart and distinguished-looking
establishment guy – he already served as president from 1993 to 1997 – whose
ideals are democratic, “market-based and modern but with broad benefits.” What
Boynton ably highlights, however, is how detached from reality GCS’s
impressions really are.
From the start, it’s clear that Goni is the wrong man for the job. Raised in
Washington by his Bolivian exile parents, he projects an aura of utter
arrogance and condescension from the get-go, saying the common Bolivian people
don’t need candid talk on economic matters and referring to indigenous
protestors as spoiled children. It’s those some commoners and protestors, of
course, who will topple Goni’s presidency and later sweep the Hugo Chavez-esque
populist Evo Morales into power.
Although Boynton’s stated intentions for making the film point to a commendable
desire to raise awareness about how American-style brand marketing is
infiltrating the political process all over the world – GCS alone has consulted
on elections in everywhere from Ireland to Israel – she doesn’t play it too
heavy-handed here. With perhaps one exception (Tad Devine, GCS’s
media-bubble-blind ad campaign specialist whose American-style negative ads
backfire on them), the GCS guys come off as surprisingly decent but misguided
policy and process wonks who genuinely think they’re backing the right horse,
even as indigenous Bolivians march and focus group after focus group tells them
their candidate is arrogant and out of touch. Where Our Brand is Crisis is most
damning is in its portrait of Goni, whose decisions in the 1990s to open up the
nation and its vast natural gas resources to foreign investment and control
were vastly unpopular and painted him as an out-of-touch gringo oligarch who
was about as Bolivian as his consultants.
As a portrait of day-to-day campaigning, Our Brand is Crisis is almost without
peer. Boynton’s camera seems practically invisible as the GCS team debates
strategy with surprising candidness, hammering home their idea that Bolivia is
in crisis and Goni’s the guy to solve it – even if he seems less engaged in the
details of campaigning than his hired guns do. What the film also ably shows,
in its footage of the protests that convulsed Bolivia over the past few years,
is how drastically wrong (if honestly intentioned) mistakes made by a band of
consultants from an office in Washington can contribute to bloodshed and near
societal collapse in a Third World nation whose politics can’t be reduced to
the same Beltway template now being exported around the world.
Our slogan is "Faltan."
Reviewer: Chris Barsanti





