Nashville Movie Review
Nashville Review
"Nashville" Overview

Rating: R
1975
Cast and Crew
Director : Robert AltmanProducer : Robert Altman
Screenwiter : Joan Tewkesbury
Starring : David Arkin,Barbara Baxley,Ned Beatty,Karen Black,Ronee Blakley,Timothy Brown,Keith Carradine,Geraldine Chaplin,Robert DoQui,Shelley Duvall,Allen Garfield,Henry Gibson,Scott Glenn,Jeff Goldblum,Barbara Harris,David Hayward,Michael Murphy,Allan F. Nicholls,Dave Peel,Cristina Raines,Bert Remsen,Lily Tomlin,Gwen Welles,Keenan Wynn
Call me a heathen. I don't like Nashville.
Possibly the most celebrated film of the 1970s -- at least among film snob
circles -- Robert Altman's sprawling case study of five days in the Tennessee
city is self-absorbed, overwrought, and dismissive. Nor is it particularly
well-made, with poor sound (even after being remastered for its DVD release)
and washed-out photography, not to mention a running time (2:40) that's at
least an hour too long.
Not liking country music is probably part of my distaste for the film, but
that's hardly a major point. Frankly, Altman's opus is so far-flung and random
that it simply doesn't make for compelling viewing. Other critics gush about
its little vignettes and how telling they are with subtle glances and nods of
the head, but this is shorthand for the fact that the movie doesn't have much
to say. Even its plot -- a third-party Presidential candidate descends on
Nashville to throw a fundraising bash -- is a throwaway. It feels like Altman
had to fold in his vaunted 24 characters just to give the movie some substance
-- something that misses far more than it hits.
Again, its ardent fans will talk of how Nashville is so remarkable for turning
its head agains the budding hallmarks of Hollywood: the big action sequence,
the leading man, the plot point structure. And Altman actually did manage to
throw all that stuff out some 20 years later with Short Cuts, and with dramatic
success. But so much of Nashville is frivolous and uninspiring, and there's
just so much folky-country song and dance, that any sense of the auteur in
Altman isn't readily apparent.
I will give Altman credit for absolutely nailing Nashville's decrepitude and
sadness, obsession with Goo-Goo Bars and the Grand Olde Opry (a stage on which
I've actually performed as a non-country singer, but that's another story).
The political turmoil of the 1970s is also well on display here, too. But you
know, the 1970s political unrest movie has been made before. And no one else
set it in Nashville, Tennessee.
For good reason.
Reviewer: Christopher Null



