My Wife Is an Actress Movie Review
My Wife Is an Actress Review

"My Wife Is an Actress" Overview

Rating: R
2001
Cast and Crew
Director : Yvan AttalProducer : Claude Berri
Screenwiter : Yvan Attal
Starring : Yvan Attal,Charlotte Gainsbourg,Terence Stamp,Noémie Lvovsky,Laurent Bateau,Keith Allen,Lionel Abelanski
Is it weird when reality and fictional cinema intersect? For example: Kidman
and Cruise in Eyes Wide Shut, Basinger and Baldwin in The Getaway, or The Blair
Witch Project. Those movies are nothing compared to the abysmally titled My
Wife Is an Actress, which totally blurs the line between what is real and what
is not and crosses into a strange mélange of melodramatic kookiness and Method
acting taken to the nth degree.
The movie is a personal exploration into the limitations and expectations of
fidelity. The film is penned and directed by the notable French actor Yvan
Attal (The Criminal), who is married to a famous French actress Charlotte
Gainsbourg (The Cement Garden), and both star in the film.
The plot revolves around Yvan (Attal), a successful sports writer madly in love
and married to a popular movie star named Charlotte (Gainsbourg). The problem
is that everyone in Paris seems to be madly in love with her as well.
Following an endless stream of autograph seekers, strangers ogling her, and
requests for group photographs –Yvan’s neurosis and male hysteria start to
rise. When Charlotte undertakes a new role opposite the silken smooth Brit
movie star John (Terence Stamp) in a new romantic drama in London, Yvan’s
jealousy reaches full tilt, swinging him back and forth in irrational actions
that would make Woody Allen blush.
Attal’s directorial debut sparks with life in its first two acts but finally
descends into murky waters of unresolved actions and emotional choices. The
subtle camera movements and lighting capture both parties in flux. Despite
decent performances by Attal and Gainsbourg, the star of the show is Terence
Stamp. His take on the somewhat one-dimensional actor character of John sparks
with cold desperation of an aging and fading movie star no longer passionate
about his work, suffering from his own ruined marriage and martyrdom.
Even when Attal tosses in a few acts of serendipity and passion, the movie
feels canned and empty. The homogenized and trite ending leads only to further
questions concerning the power of love and its place in the act of marriage,
and I left the theater more confused than enlightened.
Aka Ma femme est une actrice.
Sorry, your wife is an exhibitionist.
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Review by Max Messier
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