Lovely by Surprise Movie Review
Lovely by Surprise Review
"Lovely by Surprise" Overview

Rating: 15
2006
Cast and Crew
Director : Kirt GunnProducer : Jake Abraham, Kirt Gunn, Michael Hilliard, Marco Londoner
Screenwiter : Kirt Gunn
Starring : Carrie Preston,Michael Chernus,Dallas Roberts,Reg Rogers,Lena Lamer,Austin Pendleton,Kate Burton,Richard Masur,Jimmy Crothswait
One of those wilfully quirky movies that we're not quite sure what to do with,
this film actually gets under our skin as it goes along, and as its seemingly
random elements start to come together in an oddly moving way.
Marian (Preston) is struggling to write a novel, in which she pictures two
brothers (Chernus and Roberts) living on a land-locked boat wearing just their
underpants. Both of them have an awareness of their fate, and an ability to
control it. So when Marian's mentor (Pendleton) tells her she needs to kill off
her favourite character in order to find truth in the story, one of the
brothers rebels and marches into the real world. He emerges in Marian's past,
where as a little girl (Lamer) she's watching her widowed father (Rogers) wage
war on his depression.
The three strands of this story--Marian's past, present and imagination--feel
completely disjointed early on, and the difficulty is trying to find the point
where they connect in some way. But writer-director Gunn just plays with the
scenes, layering in themes and ideas and slowly rounding out the characters
until each element begins to fit into one story. The wacky, often surreal
filming style belies a startlingly serious undercurrent, mixing black comedy
with full-on tragedy.
The cast plays with this tone, giving heightened performances infused with
humour and charm. If Preston is a little too shrill and bewildered, the film's
heart lies with Chernus' smiley goofball and Rogers' car salesman, desolated
but doing the best he can. Both of them are utterly disarming, and when they
get together the film really begins to connect with us, even though we still
aren't sure what's actually going on.
Parts of this film achieve almost Lynchian levels of absurdity through stilted
dialog, repetitive imagery and a choppy musical score. But it takes so long for
us to get into the groove of the film that we feel like giving up. Eventually,
as it comes together, it becomes a bracing examination of the writing process
where memories and our subconscious work together to create something
altogether new: something with a life of its own.
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Review by Rich Cline
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