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Lovely by Surprise Movie Review

Lovely by Surprise Review

"Lovely by Surprise" Overview

***1/2 stars

Rating: 15
2006


Cast and Crew

Director : Kirt Gunn
Producer : Jake Abraham, Kirt Gunn, Michael Hilliard, Marco Londoner
Screenwiter : Kirt Gunn
Starring : Carrie Preston,Michael Chernus,Dallas Roberts,Reg Rogers,Lena Lamer,Austin Pendleton,Kate Burton,Richard Masur,Jimmy Crothswait

 
Carrie Preston Emmy Awards picture 2582738 Carrie Preston Emmy Awards picture 2582810
 

 


One of those wilfully quirky movies that we're not quite sure what to do with, this film actually gets under our skin as it goes along, and as its seemingly random elements start to come together in an oddly moving way.

Marian (Preston) is struggling to write a novel, in which she pictures two brothers (Chernus and Roberts) living on a land-locked boat wearing just their underpants. Both of them have an awareness of their fate, and an ability to control it. So when Marian's mentor (Pendleton) tells her she needs to kill off her favourite character in order to find truth in the story, one of the brothers rebels and marches into the real world. He emerges in Marian's past, where as a little girl (Lamer) she's watching her widowed father (Rogers) wage war on his depression.

The three strands of this story--Marian's past, present and imagination--feel completely disjointed early on, and the difficulty is trying to find the point where they connect in some way. But writer-director Gunn just plays with the scenes, layering in themes and ideas and slowly rounding out the characters until each element begins to fit into one story. The wacky, often surreal filming style belies a startlingly serious undercurrent, mixing black comedy with full-on tragedy.

The cast plays with this tone, giving heightened performances infused with humour and charm. If Preston is a little too shrill and bewildered, the film's heart lies with Chernus' smiley goofball and Rogers' car salesman, desolated but doing the best he can. Both of them are utterly disarming, and when they get together the film really begins to connect with us, even though we still aren't sure what's actually going on.

Parts of this film achieve almost Lynchian levels of absurdity through stilted dialog, repetitive imagery and a choppy musical score. But it takes so long for us to get into the groove of the film that we feel like giving up. Eventually, as it comes together, it becomes a bracing examination of the writing process where memories and our subconscious work together to create something altogether new: something with a life of its own.



Review by

Rich Cline


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