Love And Human Remains Movie Review
Love And Human Remains Review
"Love And Human Remains" Overview

Rating: R
1995
Cast and Crew
Director : Denys ArcandProducer : Roger Frappier
Screenwiter : Brad Fraser
Starring : Thomas Gibson,Ruth Marshall,Mia Kirshner
There's a little bit for everybody in Love and Human Remains, but as a whole,
most people are likely to find this film somewhat daunting. This study of
modern relationships is billed as a "dark comedy"--and I'm still trying to
determine whether the designation fits.
Following the interactions of seven side-wardly mobile Canadians, Love and
Human Remains explores questions of love, misery, loneliness, confusion, and
the strange truth that all seem to be inexplicably present at the same time.
The reality of this has been the subject of numerous romantic comedies and the
like, but I'm not sure I've ever seen the topic handled quite this way.
For one thing, these aren't your garden-variety characters. David (Thomas
Gibson) is an ex-child actor turned waiter, recently accepting that he's gay.
Candy (Ruth Marshall) is his roommate and ex-girlfriend, a book reviewer
struggling with her own emotional needs. Benita (Mia Kirshner) is a psychic
dominatrix friend of David's who earns a living by acting out the twisted
fantasies of others. And it gets stranger than that--a lot stranger, in
fact--to the point of tying in a subplot (the "human remains" part) about a
serial killer who takes an earring from each of his victims.
The fragmented storytelling style used in the film make for some difficult to
follow transitions, often a series of broken images which are hard to relate to
on a deeper level than the surface. It ends up feeling more like an
underground theatrical piece than a movie (the film is actually based on the
screenwriter's (Brad Fraser) own play called Unidentified Human Remains and the
True Nature of Love). Fraser says the film is based on actual events from his
mid-20s. Scary.
Most of the acting is fair, and some of the comedy is good. Thomas Gibson has
all the best lines, dryly expressing his cynicism better than I could ever hope
to do. I'm still working on figuring out "the moral of the story" in the film,
a question to which I may never find an answer. Then again, maybe that's the
moral.
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Review by Christopher Null
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