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L.A. Confidential Movie Review

L.A. Confidential Review

A scene from 'L.A. Confidential'

"L.A. Confidential" Overview

**** stars

Rating: R
1997


Cast and Crew

Director : Curtis Hanson
Producer : Curtis Hanson,Arnon Milchan,Michael G. Nathanson
Screenwiter : Curtis Hanson,Brian Helgeland
Starring : Kevin Spacey,Russell Crowe,Guy Pearce,James Cromwell,David Straithairn,Kim Basinger,Danny DeVito

 
Kevin Spacey picture 2668951 Kevin Spacey picture 2668952
 

 

Click for the KEVIN SPACEY Gallery

L.A. Confidential, despite what you've heard, is not the best film in 20 years. It's not even the best film of 1997 (current titleholder: In the Company of Men). But if you consider all films ever made that have the nasal Danny Devito providing voice-over work, L.A. Confidential is certainly at the top of that list.

Comparisons to Chinatown are obvious and appropriate. Both films take place in the Los Angeles of yesteryear, feature multi-layered crime riddles, and have stars with questionable morals as ersatz heroes. And both are very good. While Brian Helgeland and Curtis Hanson's script isn't the tight masterpiece that Chinatown is (the writers meander for a good 45 minutes before his story starts to shape up), and Faye Dunaway wasn't half the cheeseball that Kim Basinger is as the femme fatale, L.A. Confidentialmakes the audience do what few films of the 90s have achieved: think.

And you'll have to. Director Hanson's convoluted plot -- tracing the rise, fall, and redemption of L.A. cops played by Guy Pearce, Russell Crowe, Kevin Spacey, and James Cromwell -- is all over the map until its handy, bloody ending (body count > 25). Even then, you probably won't have all the details figured out. But at least it's fun to try.

The DVD release features a lot of extras backed by a widescreen presentation of the film. No commentary track, but two short documentaries and an interactive guide to the locations used in the film help you figure out what was going on inside Hanson's head when he put this thing together.



Bad boys.



Review by

Christopher Null


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