Katalin Varga Movie Review
Katalin Varga Review

"Katalin Varga" Overview

Rating: 15
2009
Cast and Crew
Director : Peter StricklandProducer : Oana Giurgiu, Tudor Giurgiu, Peter Strickland
Screenwiter : Peter Strickland
Starring : Hilda Peter,Tibor Palffy,Norbert Tanko,Melinda Kantor,Sebastian Marina,Roberto Giacomello,Laszlo Matray,Eniko Szabo
Artistic and insightful, this sharply well-made film has an emotional resonance
that becomes thoroughly haunting as the story travels to places we don't expect
it to go. A sense of foreboding terror keeps us gripped, as does an underlying
hope.
After a dark secret comes out, Katalin (Peter) takes her bright 10-year-old son
Orban (Tanko) and leaves her loving husband Zsigmond (Matray) on an enigmatic
journey across Romania. Orban thinks they're going to see his grandmother, but
Katalin is on a mission as she tracks down the married Gergely (Giacomello) and
plays along as he tries to seduce her. Soon she and Orban are on the run
followed by an angry mob, heading for an isolated village where they have an
unexpected encounter with Antal (Palffy) and his wife Etelka (Kantor).
Watching Katalin's odyssey is often uncomfortable, as she confronts a dark
truth after years of hoping it would never emerge into the light of day.
First-time British filmmaker Strickland gives the story a mythical quality, as
Katalin and her son travel by horse-drawn cart even though this isn't a period
film (she also has a mobile phone). This bleak pilgrimage to reluctantly face
the past is punctuated by both tenderness and violence. And as a result,
Katalin's quest becomes derailed in revelatory ways, right up to the
gasp-inducing final shot.
Peter gives a subtle, layered performance, fully inhabiting this strong, wild,
vulnerable woman who's willing to do whatever it takes to protect her son.
Several scenes play out like a thriller, while others overflow with emotion.
The scene in which she tells her story, in astonishing detail, while on a boat
ride with Antal and Etelka is pure cinematic magic--both unnerving and deeply
moving. And all of the characters feel fully formed.
Strickland captures each scene with inventive camerawork (by cinematographer
Mark Gyori) that weaves nature into the fabric of Katalin's journey. The
settings are evoked with a fine use of light and shadow, plus a cleverly
unsettling sound mix that blends tonal music with ambient noise. Altogether,
this effectively captures both the large and small stories: an old culture in
which people have lived the same way for generations, and the tale of an
innocent young girl who grew up to discover a big bad world where redemption
doesn't come cheap.
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Review by Rich Cline
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