Juliet of the Spirits Movie Review
Juliet of the Spirits Review
"Juliet of the Spirits" Overview

Rating: NR
1965
Cast and Crew
Director : Federico FelliniProducer : Angelo Rizzoli
Screenwiter : Federico Fellini,Ennio Flaiano,Tullio Pinelli,Brunello Rondi
Starring : Giulietta Masina,Sandra Milo,Mario Pisu,Valentina Cortese,José Luis de Villalonga
Come near and bear witness to Federico Fellini's biggest fiasco, Juliet of the
Spirits. Essentially a 2 1/2 hour dream sequence, Fellini cast
sometime-collaborator (and longtime wife) Giulietta Masina (Nights of Cabiria)
as a put-upon housewife who summons up the energy to leave her philandering
husband.
Along the way, she has nonstop visions and heavily symbolic dreams, which are
interrupted only by non-sequitur trips to bizarre locales (such as a basket
ride to a treehouse in a nearby forest). I'd love to explain further, but to
be perfectly honest, none of this makes a lick of sense, leaving us to stare
perplexed at Masina's enormous head (perpetually smirking) atop her waifish
body while trying to put the nonstop circus/brass band soundtrack out of our
heads.
This is not an easy feat, though, and the film's ridiculous construction only
makes it worse. Even the wardrobe -- with Masina in an ever-widening series of
hats -- is distracting and inappropriate. Hell, if I was Juliet's husband, I'd
look for affection elsewhere, too! The film comes together as nothing short of
one unbearable sequence after another, with fleeting glimpses of snake-wrapped
ladies, shrouded figures, and fruit.
Huh? It's not that I can't abide fantastic creations -- David Lynch has turned
unreality into some fine films (though just as many are anything but) -- it's
just that they really ought to have a point of some kind. Masina is neither
sympathetic nor even believable in the role -- so why should we care about the
Freudian content of her tiresome dreams? If they weren't so obvious I'd be
perplexed.
What went wrong in this debacle? Following 8 1/2 and several years before
Amarcord, Fellini was hardly washed up in 1965. But this was his first film
shot in color as well as the follow-up to what many consider to be his
masterpiece. Perhaps expectations were too high, perhaps Fellini was just
exorcising the creative detritus left over from 8 1/2. Reportedly, he took LSD
to prepare for the movie. He might as well have gotten stoned right there on
the set -- it couldn't have hurt this production.
Aka Giulietta degli spiriti.
Reviewer: Christopher Null



