Johnny English Movie Review
Johnny English Review

"Johnny English" Overview

Rating: PG
2003
Cast and Crew
Director : Peter HowittProducer : Tim Bevan
Screenwiter : Neal Purvis,Robert Wade,William Davies
Starring : Rowan Atkinson,Natalie Imbruglia,Ben Miller,John Malkovich
Rowan Atkinson is a very funny man. Unfortunately, though his British
television shows Mr. Bean and Black Adder have drawn cult audiences the world
over, he just can’t seem to translate this magic to the silver screen.
Johnny English (Atkinson) is a third-string spy working for British
intelligence. When his uncontrollable bungling blows up all of England’s first-
and second-string spies, English is the only hope to save the precious crown
jewels (and his country) from the plot of evil French mastermind Pascal Sauvage
(John Malkovich). Along the way, fellow spy Lorna Campbell (Natalie Imbruglia —
okay, so English isn’t really the last spy in Britain, which raises questions
best left unanswered) steps in to give English and his less moronic assistant,
Bough (Ben Miller), a hand.
The fact that this film is only 88 minutes long is testament to the thin
material English has to work with. At times (such as when Malkovich speaks with
his absurd approximation of a French accent), this movie feels 88 minutes too
long. Even so, there are a few funny moments. Though I don’t remember actually
laughing aloud more than once, several children in the theater giggled
constantly throughout the picture, which makes plenty of sense given the amount
of poo humor splattered over the last third of the script.
Johnny English is funniest when Atkinson sticks to physical comedy, spastically
gyrating about in his underpants. The rest of the time, the jokes are
telegraphed so far in advance that they simply arrive as expected and are
hardly worth noticing. In the end, the movie suffers from the same barrier that
the motion picture Bean did. But the barrier isn’t just cultural. Sometimes,
what passes for entertainment on television is a complete waste of time on the
big screen.
Class, nonstop, all the way.
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Review by Robert Strohmeyer
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