Jet Lag Movie Review
Jet Lag Review

"Jet Lag" Overview

Rating: NR
2003
Cast and Crew
Director : Danièle ThompsonProducer : Alain Sarde
Screenwiter : Danièle Thompson,Christopher Thompson
Starring : Jean Reno,Juliette Binoche,Sergi López,Scali Delpeyrat
Rose (Juliette Binoche) is an accomplished beautician traveling to Acapulco to
flee her rage-aholic boyfriend. Félix (Jean Reno) is a chef who’s traveling to
Munich to attend the funeral of his ex-girlfriend’s grandmother, much to the
dismay of his former lover. In Danièle Thompson’s breezy romantic comedy Jet
Lag, the two meet in a Parisian airport brought to a standstill by a public
utilities strike, and it’s not long before these opposites realize that,
despite their first assessments of one another, they just might be a perfect
match.
No one should fret over the fact that I’ve just revealed the film’s ending,
since all but the most novice filmgoers will deduce such a conclusion from Jet
Lag’s opening moments, in which we find Rose – who, to top off a bad day that’s
left her stranded indefinitely in the airport, has lost her phone down a toilet
– asking to use Félix’s cell. Decked out in stylishly alluring attire and an
abundant amount of make-up, Rose seems, at first glance, to be a somewhat
trashy primadonna. However, despite her appearance, Rose has set herself down a
life-altering path – finally seizing the opportunity to break free from her
no-good boyfriend’s violent control – even though waiting for her flight
provides numerous chances to give up the escape plan and return home, Stockholm
Syndrome-style, to her tormentor.
Félix is a thrice-divorced perfectionist whose perpetually grumpy face
perfectly matches his emotionally constipated life. Once a gourmet chef, Félix
is now beginning a new career hawking a line of mediocre frozen foods, which is
apt for a man whose outlook on life is decidedly chilly. Yet as such cinematic
confections dictate, Jet Lag repeatedly thrusts Félix into Rose’s life via his
cell phone, which incessantly rings with Rose’s calls long after the two
strangers have initially parted ways. These calls are just the first of a
number of divinely orchestrated chance encounters between the two, who
eventually wind up sharing a hotel room together (outwardly claiming it’s a
platonic agreement, both subconsciously hoping for more) after they discover
that their flights will be delayed until the morning.
Over a room service meal that Félix snobbishly deems sub-par, the two find that
they can’t stand each other – while she’s a sensitive, needy extrovert who
likes to comfort those who hurt her, he’s a cranky businessman whose quirks
include a vehement objection to the scent of women’s perfume. But as the night
goes on and their arguments force them to confront their own (quite obvious)
shortcomings, the two find common ground on which to build a tenuous
friendship. And as their spats gradually give way to googly-eyed stares,
director Thompson (working from a script she wrote with Christopher Thompson)
effortlessly alternates between farcical playfulness and sweet romance, guiding
her accomplished stars through somewhat familiar territory with the no-frills
ease such a story demands. Never allowing the film to be overrun by cloying
sentiment, Thompson’s nimble touch – seen in everything from the comical image
of Félix that accompanies a magazine article about his business, to the
cross-cutting of the film’s fate-assisted finale – provides this romance with a
shimmy and bounce that quickly allows us to ignore the hackneyed narrative
formula at work.
Binoche brings a tender depth to the role of Rose, artlessly embodying a woman
whose childhood dream of living out a Hollywood fairy tale has manifested
itself in a habit for hiding behind layer after layer of eye-liner and blush.
It’s a lighthearted performance that perfectly complements Reno, whose
competent turn as Félix is most notable for the way in which the actor never
(save for the heartwarming ending) allows himself to look even modestly happy.
That these charming French stars turn an otherwise predictable romance into
something pleasantly diverting is no small feat, but Binoche and Reno’s
contentious chemistry gives Jet Lag an irresistible vivacity.
The DVD includes an English dubbed version of the film along with the original
(subtitled) French.
Aka Décalage horaire.
After dinner, he shaves.
Reviewer: Nicholas Schager





