Ip Man Movie Review
Ip Man Review
"Ip Man" Overview

Rating: 15
2008
Cast and Crew
Director : Wilson YipProducer : Raymond Wong
Screenwiter : Edmond Wong
Starring : Donnie Yen,Lynn Hung,Simon Yam,Hiroyuki Ikeuchi,Fan Siu-Wong,Ka Tung Lam,Xing Yu,Wong You-Nam
A terrific true story, clearly elevated to mythical proportions, this film
benefits hugely from the lucid fight direction by the master Sammo Hung, which
gives the film a remarkable resonance by letting us see the characters'
personalities in their every move.
In 1930s provincial China, Ip (Yen) is a very private wing chun master who
doesn't want to run a school or prove his skill. With virtually no aggression,
he easily beats anyone who challenges him, so the town knows he's the true
local master. And an interloping thug (Fan) finds this out the hard way. Ip
remains quietly devoted to his wife and son (Hung and Li), but after Japan
invades China, things get very difficult. Especially when Ip stands up to both
the returning thug and the Japanese general (Ikeuchi).
Clearly, Ip is a national treasure in China and, for sheer inspirational value,
he deserves to be. Yes, the filmmakers show perhaps too much reverence for him,
implying that he singlehandedly defeated the invading Japanese army as they
build to a Rocky-style finale and a coda that mentions how Ip taught Bruce Lee
everything he knew. But it also has to be said that they state their case
effectively, portraying Ip as a steely, calm genius who always deflected
attention away from himself and only reluctantly became a hero.
Yen is excellent in the role, lending the fight scenes a surprising edge. The
battle choreography is fiendishly clever, and Yen stays utterly cool and
focussed, building in wry humour and emotional undercurrents along the way.
Ip's unbending pride is perhaps his only flaw, and yet it's great fun to watch
him humiliate his opponents and motivate those around him to stand up for
themselves, most engagingly the workers in a factory owned by his lifelong
friend Quan (Yam).
And the filmmakers aren't afraid to get dark and tough, showing the raw
brutality of war and conflict with only a bit of movie manipulation in
characters who are courageous, weak or villainous. By the time we reach the
climactic face-off (or three), things have become truly brutal and nasty. It
might be a little exaggerated, and also fairly straightforward in its
storytelling, but it's a seriously powerful tale.
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Review by Rich Cline
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