Gigantic Movie Review
Gigantic Review

"Gigantic" Overview

Rating: 15
2009
Cast and Crew
Director : Matt AseltonProducer : Mindy Goldberg, Christine Vachon
Screenwiter : Adam Nagata, Matt Aselton
Starring : Paul Dano,Zooey Deschanel,John Goodman,Edward Asner,Jane Alexander,Ian Roberts
This gentle romance is so wilfully quirky that it will drive some audiences a
bit crazy. But if you can connect to the film's warmth and the humanity of its
characters, it really gets under the skin.
Brian (Dano) is a 28-year-old who sells upscale mattresses and dreams of
adopting a Chinese baby. His latest customer is the eccentric, large Al Lolly
(Goodman), whose daughter Happy (Deschanel) strikes up a friendship that
quickly turns into a sort of romance. But she's a bit skittish about the
adoption thing, not to mention meeting his parents (Asner and Alexander) and
much-older brothers (Roberts and Stanton). Meanwhile, a homeless man
(Galifianakis) seems to be trying to kill him.
Director-cowriter Aselton deliberately keeps the background information to a
bare minimum, which is fairly infuriating at times (who is this homeless man
and why does he keep attacking Brian?). But for the most part, it gives the
film a relaxed, realistic tone that lets us discover the story along with the
characters. And Aselton shoots and edits the film with an offhanded style. He
catches scenes in an intriguing way that kind of skims over the surfaces while
letting the actors provide the depth.
As always, Dano is terrific in yet another difficult role, offering emotional
resonance to make up for the lightly defined character. In fact, we are so
quickly on his side that we don't really care what happens between Brian and
Happy, even though Deschanel offers a charming turn as a woman who has never
quite grown up. Asner gets the film's best supporting role as Brian's laid-back
dad, while Goodman just about manages to bring to life a man who seems far too
deliberately idiosyncratic.
Essentially the film is a bundle of hints and suggestions, and only a few of
them actually lead somewhere. It's extremely low-key, but there are also odd
moments of violence and some very strong emotional scenes. And when we reach
the end, not all of the plot strands are tied up neatly. But what does resonate
is the film's quiet exploration of the unbreakable ties that bind us to our
families in ways we can never quite explain.
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Review by Rich Cline
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