Ghost in the Shell 2: Innocence Movie Review
Ghost in the Shell 2: Innocence Review

"Ghost in the Shell 2: Innocence" Overview

Rating: PG-13
2004
Cast and Crew
Director : Mamoru OshiiProducer : Mitsuhisa Ishikawa,Toshio Suzuki
Screenwiter : Mamoru Oshii,Masamune Shirow
Starring : Akio Ôhtsuka,Atsuko Tanaka,Kôichi Yamadera,Tamio Ôki
Mamoru Oshii's amine sequel is more a philosophical meditation than the noirish
detective story that provides the action. Illusion and creative vision pervade
the animator's world of 2032 as Investigator Batou, a mountainous cyborg with a
brain that's part Plato, part Terminator, goes from gunning down a warren of
criminal Yakuza to repeating cloudy quotations: "No matter how far a jackass
travels, it won't come back as a horse."
Batou is assigned by the government's covert anti-terrorist unit, Public
Security Section 9, to investigate the "death" of a gynoid, a hyper-realistic
female robot designed as a very cute sexual companion to a willing male. But
the machines are becoming erratic, and the gynoids have begun to slaughter
their owners. Do we have your attention, yet?
Batou, a solitary, intense type, is partnered with Togusa, an all-too-human
compadre with a wife and daughter to consider when the bullets and bombs start
flying. Atsuko Tanaka is reprised from the original Ghost in the Shell to give
our heroes a heads up on what might actually be going on with the erratic
machines.
The investigation is constantly hampered--not so much with the obstructions of
bad guys and the like--but by a constant theoretical dispute over comparative
worth of humans and machines. This creates a plodding pace while our heroes
traverse a 3D universe with a visual design that is eye-boggling. Using subtle
highlighting, distinct focal planes, an inventive color palette, moody lighting
effects, and forced perspective, Oshii blends what he sees in the real world
into a hyper-realistic style of animation.
Dog lovers will swoon over Oshii's method of humanizing his creation by having
Batou express deep love and understanding for his pet basset hound. His
detailed and devoted care of Ruby -- to the extent of removing one of her big
floppy ears from the dinner bowl -- after a weary day at work, is rewarded with
the kind of warm appreciation only a close animal companion can provide. The
big guy needs love.
Voices for the characters are Akio Ôhtsuka (Batou), Atsuko Tanaka (Major Motoko
Kusanagi, the "Ghost in the Shell"), Kôichi Yamadera (Togusa), Tamio Ôki
(Section 9 Department Chief Aramaki), and a basset hound providing the barks
for Batou's affectionate pet.
This sequel comes nine years after the original, a cyberpunk action anime about
cyborg cops battling terrorist hackers in an Oshii-created world that allows
the soul to migrate from organic to inorganic bodies at will. Within this
scheme, the question of the nature of humanity is endlessly pondered and
invests what might have been a pure action film with a strange and singular
metaphysical timelessness.
The title derives from the heroine, Major Motoko Kusanagi, who abandons her
enhanced body (her "shell") to become pure soul or "ghost" and disappears into
cyberspace. Oshii thereby provides the basis for his questioning of what it is
to be human. But, the visual virtuoso's work suffers from his unconcern about
dramatizing his ideas in terms of basic story structure.
Aka Innocence.
The DVD includes a making-of featurette and a Japanese language commentary
track.
They got a giant metal fish in the shell, too.
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Review by Jules Brenner
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