Fired Up! Movie Review
Fired Up! Review

"Fired Up!" Overview

Rating: 12
2009
Cast and Crew
Director : Will GluckProducer : Matthew Gross, Peter Jaysen, Charles Weinstock
Screenwiter : Freedom Jones
Starring : Nicholas D'Agosto,Eric Christian Olsen,Sarah Roemer,Molly Sims,John Michael Higgins,David Walton,AnnaLynne McCord,Juliette Goglia,Jake Sandvig,Collins Pennie,Philip Baker Hall,Edie McClurg
Broad and very silly, this comedy just about keeps us chuckling even when
things get stupid and predictable. It's not very well-written, but there are
enough deranged characters to make it almost worth a look.
At Gerald Ford High School, two chucklehead jock pals--nice guy Shawn
(D'Agosto) and blond hunk Nick (Olsen)--decide to skip a gruelling football
practice and chase girls at cheerleader camp instead. Of course, they soon
start to actually enjoy themselves, and Shawn begins to fall for one of his
teammates (Roemer), but trouble is brewing as they prepare to face the
archrival Panthers. Meanwhile, Nick tries to woo the seductive Diora (Sims),
wife of the camp's gung-ho director (Higgins).
The script sets up every plot point in the most obvious way imaginable (one
mention of the forbidden Fountain of Troy manoeuvre would be enough to give
away the film's climax), and the plot follows every corny formula from the
sleazy two-faced boyfriend (Walton) to the illogical jump to a conclusion that
powers the break-up/make-up structure. Meanwhile, the film resembles a bright
and goofy Disney Channel movie with its sunny attitude and too-energetic
characters. Although it's spiced up with some PG-13 language and innuendo.
For the most part, the film is also shamelessly misogynistic, as Nick and Shawn
play sensitive guys so they can seduce hordes of scantily clad women. Not to
mention rather way too many "I'm not gay" protestations. But it's all tease,
actually, as they are forced to learn Important Life Lessons about
relationships and masculinity and so on. It's pretty tedious really, and most
of the cast members overact outrageously through both the American Pie-style
crassness and the accept-your-feelings moralising.
What saves the whole thing from being a waste of time is the use of comical
aces in smaller roles. The likes of Higgins, Sims, McClurg and even Hall infuse
the film with genuinely warped humour, including some terrific improvisational
moments that help us cope with the stiff dialog and simplistic plotting. As the
closing credits outtakes show, the set was clearly a lot funnier than the
finished film turned out to be.
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Review by Rich Cline
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