Ed's Next Move Movie Review
Ed's Next Move Review
"Ed's Next Move" Overview

Rating: R
1996
Cast and Crew
Director : John WalshProducer : Sally Roy
Screenwiter : John Walsh
Starring : Matt Ross,Callie Thorne,Kevin Carroll
This year's low-budget success story and darling of the festival circuit, Ed's
Next Move is one of a handful of recent pictures that is truly deserving of its
praise.
The Manhattan-based indie traces a few weeks in the life of urban greenhorn
Eddie (Matt Ross), whose titular move is from the wide-open, cheesy state of
Wisconsin to the dog-eat-dog world of New York City. Eddie, a genetics
researcher and rice breeder, faces the world alone -- a stranger in a strange
land. He lives in a cheap motel while he tries to find a non-psychotic
roommate, can't get a simple hamburger at a restaurant, and finds his
Midwestern sensibilities out of place in the big city.
It's here that Eddie meets Lee (Callie Thorne), a brassy hipster trying to cut
it as a musician. Eddie, in fine romantic comedy style, becomes smitten with
Lee and tries to win her affections.
The result is a fine comedy from newcomer John Walsh, who directs his own
script. In fact, just about everyone associated with the film is a newcomer,
which works to the benefit of the picture by keeping everything fresh. Ross
and Thorne are excellent actors, and because we've never seen them before, it's
easy to suspend disbelief enough to buy them in their parts. (Also good is
Kevin Carroll as Eddie's antithesis and roommate Ray.)
With funny and fresh dialogue, a heap of production values considering the low
budget, and a wide-appeal story that neither condescends to the audience nor
enters the sacharrine world of big-budget romantic comedies, Ed's Next Move is
a winner for just about anyone's taste. (This critic laughed his proverbial
butt off, that's for sure.) Be sure to watch for "the mice scene" -- the only
comparable fall-down laughing sequence equivalent to last year's "banana scene"
from The Brothers McMullen.
Ed's Next Moveremains one of the better offerings of the year, by giving us a
romantic comedy about people who could feasibly be friends of ours -- or could
even be ourselves. My only hope is that Walsh can keep it up with his next
picture.
Reviewer: Christopher Null



