East Side, West Side Movie Review
East Side, West Side Review
"East Side, West Side" Overview

Rating: NR
1949
Cast and Crew
Director : Mervyn LeroyProducer : Voldemar Vetlugin
Screenwiter : Isobel Lennart
Starring : Barbara Stanwyck,James Mason,Van Heflin,Ava Garner,Cyd Charisse,Nancy Davis,Gale Sondergaard,William Conrad,Raymond Greenleaf,Douglas Kennedy,Beverly Michaels,William Frawley
In the early 1930s, director Mervyn Leroy was one of the men responsible for
the gritty, careening Warner Brothers house style, but by 1949, Leroy was one
of main hack directors for MGM and a prime example of the staid MGM routine is
on display in Leroy's prosaic staging of the cad-for-all-seasons East Side,
West Side.
Barbara Stanwyck is mistreated high society wife Jessie Bourne, married to
Brandon (James Mason), a well-heeled corporate lawyer who is also a regular
heel, cheating on Jessie every chance he gets. As Brandon explains his
philosophy to a hopeful conquest, "Just because a man has one perfect rose in
his garden at home, it doesn't mean that he can't appreciate the flowers of the
field." Even so, Brandon tries to "think with his head" but then Ava Gardner
breezes in and all bets are off.
Gardner is the sultry, sinuous tigress Isabel Lorrison. Isabel high-tailed it
but now she's back in town and her claws are out, intent on wrecking the Bourne
marriage. But in spite of Brandon's philandering, Jessie still loves Brandon,
and not in an intellectual way either -- you can tell that by the way Stanwyck
massages the sofa cushion as she talks about him to her nosy friend. It would
take something completely out of left field to scare Jessie straight and compel
her to kick Brandon downstairs. And that happens with a whiplash-inducing plot
development that suddenly involves Brandon in a murder and gives him the once
over by NYPD lout William Conrad.
East Side, West Side is so careful with its melodramatic setup of a failed
marriage -- Jessie's pain even seeping into the nicely displayed MGM
bric-a-brac on the expensive sets -- that when the murder plot is introduced it
is almost as if you are waterboarded into another film.
In East Side, West Side, you have to get your pleasures where you can find
them, and if it means wallowing in the MGM star system, so be it. (Where can
you find a film today that offers the equivalent of Stanwyck, Mason, Gardner,
Heflin, and Charisse? And don't bring up He's Just Not That Into You.)
Unfortunately, the film itself is nothing but burnished dreck. But that is to
be expected. As Heflin says , "If you lie down with dogs, you end up with
fleas."
East meets west.
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Review by Paul Brenner
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