Dark Blue World Movie Review
Dark Blue World Review
"Dark Blue World" Overview

Rating: R
2001
Cast and Crew
Director : Jan SverákProducer : Eric Abraham,Jan Sverák
Screenwiter : Zdenek Sverák
Starring : Ondrej Vetchý,Krystof Hádek,Tara Fitzgerald
Dark Blue World refers to lyrics in the tune a piano-playing pilot attempts to
learn. It’s the favorite song of a fallen comrade, and one that the
musically-inclined soldier feels obligated to play at his friend’s funeral.
This selfless act perfectly captures the feelings of camaraderie and the bonds
of friendship felt between the film’s main characters, which serve as the glue
holding this WWII saga together.
The men involved are air force members from the Czech Republic who’ve escaped
Nazi occupation of their homeland and now fight for the Allied forces in the
British patrol. Their leader, Franta Slama (Ondrej Vetchý), amiably directs
his troops in a casual, European manner. You sense he’d much rather be their
friend than superior, and his closest relationship forms with up-and-coming
pilot Karel (Krystof Hádek). Their friendship, unfortunately, isn’t long for
this world.
Difficulties arise over a woman (Tara Fitzgerald). Susan, to be specific. A
British widow who lost her husband to the battlefields, Susan tends to young
Karel when the spirited fighter crash-lands near her farm following a
dogfight. Smitten, Karel introduces Susan to his best friend and mentor,
Franta. The two promptly fall in love, all under Karel’s less-than-watchful
guard. Franta’s betrayal comes as a shock, not just to Karel, but to us, as
well. We’ve grown accustomed to their loyalty, and can feel the (figurative)
slap in the face Franta’s “infidelity” delivers.
It helps that director Jan Sverák (Kolya) casts strong actors. Using vivid
matte paintings, blue screens and bright CGI effects, Sverak creates a gorgeous
period romance that’s visually breathtaking while being equally compelling in
its storytelling methods. Characters develop gradually, even when plot
elements attempt to speed up their growth and send them spiraling down dark
corridors. And each decision results in consequences, not only on a personal
level but also on a national stage.
In a perfect world, one in which Michael Bay’s bloated, maudlin Pearl Harbor
didn’t exist, Dark Blue World might have garnered more recognition as a
gripping, heart-wrenching love triangle inadvertently set against the backdrop
of WWII. The main difference between the two (and there are several others) is
that Sverak’s majestic battle scenes never eclipse his intricate, dramatic
study in honor and friendship between multi-dimensional characters. Where Bay’
s vapid leads killed time between CGI explosions, Sverak’s actors confront
timeless dilemmas that – in this case – just happen to take place during a
global conflict.
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Review by Sean O'Connell
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