Coco Before Chanel Movie Review
Coco Before Chanel Review
"Coco Before Chanel" Overview

Rating: 12
2009
Cast and Crew
Director : Anne FontaineProducer : Caroline Benjo, Philippe Carcassonne, Carole Scotta
Screenwiter : Anne Fontaine, Camille Fontaine
Starring : Audrey Tautou,Benoit Poelvoorde,Alessandro Nivola,Marie Gillain,Emmanuelle Devos,Lisa Cohen,Regis Royer,Etienne Bartholomeus
This biopic kind of dwells on the misery in Coco Chanel's life, but it's a
strong story of a woman who made her own way against all odds. And it's
skilfully and beautifully filmed and acted.
After her mother died in 1895, Gabrielle Chanel (Cohen) moves into orphanage,
where nuns teach her how to sew. As soon as she's 18 (now Tautou), she becomes
a bar singer with her sister (Gillain) and is dubbed "Coco" after her signature
song. Even now she's rebelling against the constricting clothes of the day, and
when she becomes the mistress of the wealthy Etienne Balsan (Poelvoorde), she
has clear ideas about her own life. What she doesn't expect is that she'll fall
for his friend Boy Capel (Nivola).
Director-cowriter Fontaine tells this story like Chanel's fashion style:
elegant and detailed, but without frills. The film takes us through these early
years in a somewhat dispassionate way, only drawing emotion from Tautou's
mesmerising performance. She conveys a sharp, opinionated intelligence even as
Coco knows her place in society. And as she quietly evolves to the moment she
becomes the Coco we remember, Tautou keeps the character consistently engaging
without sacrificing any of her inner toughness.
Fontaine doesn't shrink from portraying this male-dominated society: men
treated women like possessions. So Coco was a true revolutionary, going against
the grain to become the first major female designer. Fontaine makes sure the
period detail is sleek and gorgeously recreated, with actors who aren't afraid
to show the dark sides of their characters. There are moments of levity, but
powerful scenes between Tautou, Poelvoorde and Gillain reveal a shadowy
complexity.
The problem is that the film feels a bit gloomy as a result; Coco seems
melancholic even when she's smiling. And this carries through to the limited
colour scheme, as well as Coco's simple clothing in a time when women wore
outrageous frills. But watching closely, we can see Coco in control of her
life, even though the men around her thought she was theirs. And into this
world, Nivola's Boy is a breath of fresh air, a rare man who can see her for
who she is. So where their story goes can't help but move us.
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Review by Rich Cline
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