Any Given Sunday Movie Review
Any Given Sunday Review

"Any Given Sunday" Overview

Rating: R
1999
Cast and Crew
Director : Oliver StoneProducer : Dan Halsted,Lauren Shuler Donner,Oliver Stone,Clayton Townsend
Screenwiter : John Logan,Oliver Stone
Starring : Al Pacino,Dennis Quaid,Charlton Heston,Ann-Margaret,LL Cool J,Mathew Modine,Jamie Foxx,Bill Bellamy,James Woods,Jim Brown,Elizabeth Berkeley,Aaron Eckhart,Cameron Diaz
Football is as engrained in our society’s mores as deeply as war, family
values, and politics -- at least that’s what Oliver Stone would like you to
believe. To back up this statement, Any Given Sunday analyzes the effects of a
culture that elevates professional athletes and coaches to a plateau where they
are immortalized as heroes of the common man. Stone’s football fairytale is a
culmination of every anecdote, highlight, or soundbite you’ve ever seen
associated with the pigskin, wrapped up in an aesthetically pleasing Christmas
package, and sealed with a kiss from team owner Cameron Diaz. Stone aims to
please, and he doesn’t miss a single cliché of the revered and scrutinized
American athlete.
At its core, Any Given Sunday is the story of Miami Sharks coach Tony D’Amato
(Al Pacino - The Godfather, Dog Day Afternoon) and his two quarterbacks, Willie
Beamen (Jamie Foxx - The Great White Hype, Booty Call) and Cap Rooney (Dennis
Quaid - The Big Easy, Innerspace). The quarterback is the most vital position
in the game. He is the team spokesperson and field chief, and he serves as a
crucial link between coaches, administration, and players. When legendary
two-time Pantheon Cup (aka: Super Bowl) champion Cap Bowman ruptures a disk
after a bone crushing hit, coach Tony is left with Willie Beamen (Foxx), an
athletic, yet untested QB. His team has lost four straight and appears to be
plummeting in a downward spiral with the playoffs right around the corner. He’
s got delusional team owner Christina Pagniacci (Cameron Diaz) and sports
analyst Jack Rose (John McGinley, doing his best Jim Rome impersonation)
breathing down his neck because of his outdated coaching style, and a team of
players he’s losing control of.
When Willie Beaman turns out to be a phenom and his team makes the playoffs,
Coach D’Amato must decide whether to stick with Cap, the battered yet savvy
veteran, or turn the reigns over to the flamboyant prodigy, Beaman, who has
been changing plays in the huddle, and is selfishly leaving the rest of the
team out of his newfound success. In choosing, Coach D must analyze his place
in the history of the game, the modern athlete versus the ghosts of the past,
and the sacrifices he has made of family and friends in living up to the team
motto, "Whatever it takes!"
If you’re even vaguely familiar with the Oliver Stone movie formula, you’ll
know in advance that there will be about eight subplots going on at once.
Lawrence Taylor, the NFL all-time sacks leader, is an aging linebacker faced
with a nerve injury that could take his life, but he can’t collect his million
dollar-signing bonus unless he continues to play. James Woods is Dr. Harvey
Mandrake, a slimy team doctor with no compassion for the physical well being of
his players, who will authorize or withhold the athletes from competition at
the discretion of the team owner. Mathew Modine (The Blackout, Vision Quest)
is his medical assistant, who attempts to act as a moral blockade for the
corrupt Mandrake. Meanwhile, Ann-Margaret, the matriarch of the Pagniacci
family, maintains that the pressures of owning a professional football team
were responsible for killing her husband and the cause of her miserable
existence. The intertwined side stories add much-needed volume to the basic
theme of the coach and his quarterback controversy.
Oliver Stone unveils the Miami Sharks from all angles. The film goes inside
the lives of the players: from the expensive women, to the drugs, to the
seemingly endless flow of money, and into their volatile home lives. He plays
the race card effectively by making references to the problem of all-white
ownership in a sport that is dominated with black athletes. Yet his
proclamation is not overly bold, because at the same time, he casts Dallas
Cowboys owner Jerry Jones as a color commentator. He also criticizes the media
for its suffocating coverage and idolatry of the league’s players through his
portrayal of pretentious sports personality Jack Rose.
The football scenes are accompanied with music and lighting reminiscent of a
music video. A true fan may find some of the action scenes a little hard to
swallow, but they’re fun to watch, even when they’re unbelievable. Also
noteworthy is the fact that the coach would surely notice if a QB were changing
plays in the huddle. For Pacino to have to find out from LL Cool J, his star
running back, is preposterous. Just ask any football coach.
On the plus side, the enormous ensemble cast is fantastic and there are more
cameos than I can count or make reference to. See if you can pick out some of
the NFL greats yourself. Pacino is once again stunning and James Woods is like
a chameleon putting on yet another credible performance, but Cameron Diaz’s act
really takes the cake as a heartless owner caught up in the high stakes of a
winning football team that’s losing money.
Overall, it’s a high-octane testosterone laden picture. If you like football,
you’ll love this film.
Boss-lady Diaz.
Reviewer: Athan Bezaitis





