An Affair to Remember Movie Review
An Affair to Remember Review
"An Affair to Remember" Overview

Rating: NR
1957
Cast and Crew
Director : Leo McCareyProducer : Jerry Wald
Screenwiter : Delmar Daves,Donald Ogden Stewart,Leo McCarey
Starring : Cary Grant,Deborah Kerr,Cathleen Nesbit,Richard Denning,Neva Patterson
The good thing about being an international playboy who looks and sounds like Cary
Grant (well, one of the good things) is that there isn't much you have to do to pay
for your fabulous jet-set lifestyle, except marry the occasional filthy-rich heiress
(who's hardly bad-looking herself, so that doesn't hurt). So we shouldn't feel too
bad for scandal-sheet regular Nickie Ferrante (Grant) when we're introduced to him at the start
of the glossy, late-studio-period romance An Affair to Remember, at which point he's leaving
behind his French lover, and presumably many years of others like her, in the interest
of future security. Nickie's on an ocean liner steaming back to the U.S. to marry
the heiress whose financial largesse will keep him in tuxedos and pink champagne for
a good many years to come, when he runs into the woman he's fated to fall in love
with, Terry McKay (Deborah Kerr), also no slouch in the looks department. But even
after the fateful meet cute -- a nicely-framed bit with a cigarette case and some snappy
quips -- and all the emotional and moral confusion it causes, there's little reason
to feel bad for the guy.
Whether or not one should feel concern for Nickie's state of mind is important here,
because director and co-writer Leo McCarey seems to have much more on his mind here
than a simple romantic soufflé. The first half of the film takes place almost entirely on
the ocean liner, and it's here that the film is at its best. Although both Nickie
and Terry have significant others waiting for them on the pier in New York, they
can't stop from engaging in some sharp romantic badinage, setting the tongues wagging
among their entertainment-starved shipmates. The first sign that the film is moving
into different territory, though, is when Nickie goes ashore in France to visit his
grandmother and brings Terry along. It's a lengthy and overplayed sequence at a sleepy
villa in which Terry, who had previously felt impervious to Nickie's attempts at pitching
woo, gets a window into his soul via the grandmother and so falls for him. McCarey
also introduces an overtly religious theme here (having Terry and Nickie pray briefly in
the chapel) that will come back later in an even more heavy-handed fashion.
The hook of An Affair to Remember comes almost exactly at the halfway point, and while that's
the thing most people remember about the film, it also marks the start of its downhill
slide. Unable to bear parting for good, the two make a plan to meet at the top of
the Empire State Building in six months' time -- by then, the idea is that Nickie will have
made an honest man of himself. It's a decent enough device as such things go, and
ultimately complicated by a melodramatic plot point that ensures a few tears by the
time the credits roll, but its hardly well utilized here. Once Terry and Nickie leave
the liner, all the fizz leaks out of the film and never quite returns. Their respective
lovers find out about the seagoing flirtation pretty quickly but seem hardly put
out by it, draining any possible tension out of what remains of this surprisingly tedious
film.
McCarey knew his way with comedy, that's quite clear (he marshaled the chaos of the
Marx brothers into Duck Soup, after all) but the sentimental religiosity of films like Th
e Bells of St. Mary's ultimately overtakes his better instincts here. Having developed
such a personable rapport between Grant and Kerr (they improvised a lot of their
roomy dialogue, and it shows, nicely), McCarey then separates them and substitutes
scene after scene of filler, the most egregious of which is a childrens' choir musical
number that would have been cloyingly saccharine even if it hadn't been wedged into
a supposedly urbane romance.
More champagne, fewer children.
The 50th anniversary edition of the DVD is a two-disc affair with an excellent widescreen
transfer that shows off the studio-glossy, late-1950s CinemaScope color camerawork
to good effect. The special features are a cut above most, with short documentaries on most of
the principles, and a behind-the-scenes piece from AMC.
Reviewer: Chris Barsanti



