Amelia Movie Review
Amelia Review
"Amelia" Overview

Rating: PG
2009
Cast and Crew
Director : Mira NairProducer : Lydia Dean Pilcher, Kevin Hyman, Ted Waitt
Screenwiter : Ronald Bass, Anna Hamilton Phelan
Starring : Hilary Swank,Richard Gere,Ewan McGregor,Christopher Eccleston,Joe Anderson,Mia Wasikowska,Cherry Jones,William Cuddy
This terrific true story has been so overproduced that there's virtually no
life left in it. Even though every frame looks exquisite, not one scene rings
true because the filmmakers leave all humour and passion off the screen.
In 1928, Amelia Earhart (Swank) bursts onto the dawning aviation scene as a
confident pilot giving men a run for their money. Quickly snapped up by
promoter George Putman (Gere), her aerial achievements instantly grab media
attention. Reluctantly agreeing to marry George if she can keep her
independence, she works rather too closely with the government's first aviation
chief Gene Vidal (McGregor). And then in 1937 she sets off to fly around the
world with navigator Fred Noonan (Eccleston).
The rest is history, of course, as Earhart and Noonan disappeared on the
penultimate leg of their trip. But rather than use this well-known fact from
the start, the screenwriters make the strange choice to intercut this flight
with the rest of Earhart's life, then try to build up some will-they/won't-they
make it suspense at the end. Not only does this flatten the film's finale, but
it never makes much sense as a framing story either.
This story should bristle with bold characters and heart-stopping achievements,
but Nair directs every scene like a big-budget TV advert. The impeccably
tailored clothing looks like it's never been worn, and anything metallic
(including the shiny planes) has been polished to a gleaming sheen even if it
should be battered or dirty. It's very, very pretty, but is so fake that we
don't believe it for a minute. In other words, it's so polished and obvious
that I wouldn't be surprised to learn that it was actually directed by Ron
Howard.
And the fine actors have to bear some blame for making it so earnest. They all
give wistful, smiley performances while posing to catch the artificial sunshine
in the most flattering way. The film positively glows, but there isn't a sharp
edge anywhere, not a whiff of romance or lust in any relationship and no danger
or suspense even though Earhart's actions were unprecedented. In fact, this
film is so solemn that we miss the fact that Earhart is one of the most
important figures from American history.
|
Review by Rich Cline
|






