Gillian Anderson Message Board and Comments

We say give G.A a ‘Jason Bourne’ type script and expense account …then we’ll see G.A beyond her true light –though she may wish another genre- in a most honest female/woman perspective ...and make Jason look like her nephew. Best, Bro-V

unFame Posted Essay; Hollywood’s US iron-curtain media-monopoly * ‘F**k Hollywood’: this is what gillian anderson said to corp hollywood years ago, in no uncertain terms. the new generation’s ideology motto “F**k hollywood”, which seems, at first glance ...self-destructive ...immature ...childishly and simplistic via their very choice of slogan is as follows ...to paraphrase, “if you are a one that must have even the slightest how, when, what, where and why in order to identify, or prove this obvious— in-your-face—US media monopoly, or prior to taking action, ...well, you are a big part of the problem ...’f**k hollywood’ ...ignore them completely ...it’s past negotiating ...it’s past intelligent queries ...don’t talk to me about nazis ...do something, anything ...NOW!” ...and they, we, are. ...the internet arts and media, without hollywood. * weapons down and surrender: as tom cruise’s new film pointedly suggest (after his recent and near fatal stance against the old regime) ...the corp hollywood executives which are closest to the hitler-type, hollywood-top-dogs are fully aware that they are fighting an unstoppable force—not just the US, the world—and their reputation is complete in it’s being so horrified that it is seldom even spoken out-loud. moreover, anderson’s labor-law stance and DOCUMENTED case most assuredly helped put the current arts labor-laws in place ...made it possible for others (all in the industry, actors especially) to have children without becoming estranged to their own child, via unfair nazi-like hollywood contracts. perhaps anderson will be honored publicly, soon enough, for at least this contribution to the arts|media monopoly battle--for the freedom of speech in the arts. * to lose your head over it: current hollywood in la, ca. has had 90 years to become a manipulating expert in this fight. to engage in it is insanity. i’m in agreement with the new generation’s ideology. it seems to be the only way to win against a giant—stop playing with it. (see above). address the now, the peoples game—the internet arts--not hollywood. hollywood is not synonymous with the arts ...hollywood is a place ...and is a tyrant, consumer and politically based conglomerate corp puppet at the will of governing powers, no more, no less. us artisans are not politicians and we do not reside in one particular place ...we are everywhere and no where at the same time ...this makes us a powerful entity in our own right, not to mention being the mouth, and the heart of society, the people—expressing freely the human experience in creative ways of “the now”. ‘f**k hollywood’. corp hollywood’s nazi-like reputation precedes them when attempting to capture UK. and as you stated, when all unit against this iron-curtain freedom of speech violations against the people, which is attempting to spread globally ...as long as we individually, in a group effort do something, anything ...to stop pretending ...stop being self-deceivers (as pre ww2 germany did) ...to take responsibility ...history has shown that the masses are indeed the majority, and can be a fierce movement in demanding change ...and right now! all artisans around the globe are jumping on board to produce their works via our technology without hollywood’s approval, authority or censorship. moreover, the masses are demanding untainted, global news, information, and data. as you have said, the new era is upon us. societies grow, change and i try not to be emotional about it. wisdom with heart is that which i grasp for, not fleeting passion, especially in such a vital quest for free arts and media. * like a movie script!: i have little doubt gillian anderson is more surprised than any, regarding her story, landing right at the crux of this fight ...and perhaps the very sacrifice needed to start this unstoppable “crack in the dam” (see past others failed attempts—in the late 1940’s) leading to the potential, and final downfall of a corrupt regime monopolizing the arts, and media--as their vehicle for dominance. this very real thing is indeed life interpreting art and art interpreting life. a fine script with all the goods and evils, heartaches, challenges, oppressions, wars, heroines and heroes, villains, story and mysteries depicting this current era’s human experience. it would be explosive movie or play! someone, somewhere is probably already working on it * my life with integrity: as a published photo journalist living in La, CA. and internet investigative reporter i have been researching and working on the gillian anderson’s story for about one year. she and her untold story is nothing as i thought when i first began this particular journalistic project. i discovered that one cannot mention the current quest for freedom of speech in the arts|media without thinking about that firecracker, anderson. my studies and research in the arts’ current fight became synonymous with anderson’s untold story. they inadvertently joined. also, in doing my part in this current monopoly fight, i discovered that it’s best to completely ignore all current mainstream arts|media, except that of the internet--questioning that too. moreover, i’ve learned to ignore corp hollywood’s plots, schemes, subsidiaries, next move, arguments, and the like ...that is playing with the giant or corp hollywood’s game ...it’s constructed to be intentionally too convoluted to sort out when much needed efforts are best utilized in the arts, as they are becoming and supporting that. ‘f**k hollywood’. the new generation’ s game is that it doesn’t matter much, now, how the horse lived or died, since it’s dead to us—unless to learn from for future happenings. “as crafty as a snake and innocent as a dove.” it’s not necessarily natzi-like hollywood’s moves (except those obviously corrupt) that are twisted but their thought, intent and motives behind those moves—greed and brutality. (see anderson’s untold story) * Keep questioning everything!!: right on. until later becomes soon enough...hee ...hee, best wishes the vis**tor, friends| unFame.com, FirstShowing.net thanks contactmusic for having me

Your last comment is very good. To say nothing!

unFAME, located in CA., is independently owned and operated by a group of fine artist commodity oil painters to the actors in Hollywood and runs a periodic column for syndication devoted to cutting through celeb bylines in order to expose truth in the power struggle between 'Arts and Entertainment Corporate Hollywood Celebrity Industry' (Corp. commercialism), and 'Hollywood actors|artist' (institution of America's Arts). unFAME articles and columns relentlessly highlight what few know about Corp. Hollywood and those brave soldiers of the Arts fighting it out in the front line trenches of America's Hollywood. *August 2006 CORP. HOLLYWOOD'S BACKROOMS (like a seemingly fancy, homeless-hotel for the famous...) *As a fine artist commodity oil painter to Hollywood actors, I was very busy in the year 2002 and only glimpsed X-files. The female role was believable, interesting and had an innocent, survival thing that showed through the camera. Mostly, because of what I do, it got my attention. Mostly. Then she seemed to just vanish. I thought it was odd because I was confident that she would be Hollywood's next shining star, and with something unique. It was an incredible experience to see, the first of it's kind, female role modle character--so well played--in Hollywood. But it never came. Then last month I was doing research, because I may do some business overseas, and I inadvertently pulled up an article on my laptop. It's tag line read, "Gillian Anderson this and that and, blah, blah" --just a commercial piece, mostly. I don't track celeb biz commercial rags and articles. Their slant most always exploits the Arts and artists. This unFAME article covers the seldom discussed 'backrooms of Hollywood', with Gillian Anderson's career as the catalyst. Hopefully the above header will give you some idea of it's content as a whole. HOLLYWOOD ACTORS: SUFFER IN VEIL OF SILENCE *It seems that the people's concern for the survival of the Arts has become passe. Also, our younger generation doesn't seem to be hip to the fact--like in the 30's to 40's--that working as an actor|artist in Hollywood can be a brutal endeavor. Corp. Hollywood's powerful monopolizing stance in commercialism of the 'Arts and Entertainment Corp. Hollywood Celeb. Industry' is destroying the Arts, exploiting actors|artists and manipulating the people in order to fill it's pockets with cash and at the demise of our society. Of course, the seasoned Hollywood actors are tortuously aware that the glitz and seeming glamor of it (celeb biz), is just the lavish icing on top of this inedible cake. In fact, this icing is the main way that Corporate Hollywood hides the fact that most that work in the Arts--in Hollywood--are part of an extremely oppressed group of talented and gifted artists suffering in silence in order to keep their job offers coming in. The 'red carpet, arts and entertainment corp. celeb industry' is owned and harshly managed by giant corporations specializing in marketing and commercialism (not the Arts). The 'corp. celeb biz' spoils, generated by this fake cake, would surely have to be measured in the billions. 'SCARE & SLANDER' AND 'BLACK-BALL' TACTICS *Every savvy person involved in the Arts in Hollywood, being commercially managed by Corp. Hollywood, is fully aware of the sharp blade that Corporate wields with a swift and heavy hand. I'm speaking of Corporates 'scare & slander' and 'black-ball' management tactics. The old-money actor families that survived Corp. Hollywood, as far back as the 1930's to 40's, know that this isn't anything new. It's one of two unspoken truths that only the bravest dare whisper, fearing that "a winged creature will carry it back to 'The Man'." *In addition, Corp's questionable, extremely oppressive and borderline unlawful labor practices, sweat-shop type working conditions, and yes, skewed compensation (relative to how enormously non-affordable it is to be famous), are kept under tight wraps as well. Any deed, good or bad, will not be hidden. It's the law of nature. Gradually the truth of Corp. Hollywood's ways and the consequences of their out of control practices are being revealed, like a crack in a dam. *More and more actors are publicly showing signs of mental imbalance via their seriously emotionally unhealthy, oppressed lifestyles. Even so-called "independent film" is in many cases affected by Corp. Hollywood's commercialism. These stated issues strongly suggest that Corp. Hollywood's commercialism or methodical takeover monopoly upon America's Art's Institution is in violation of the people's freedom of speech. 'JOAN OF HOLLYWOOD' *With the known reputation of beloved, quirky and sometimes rambunctious, Gillian Anderson has most honorably and courageously earned her ever growing reputation of being tagged the 'Joan Of Hollywood.' (insider buzz is that there are songs about 'the joan of hollywood' that are being considered for production). Her past documented situation with Corp. Hollywood is a perfect iconic example for exposing the questionable (some might say cruel) business practices of Hollywood's Corp. department heads. *This promising, once top headliner Hollywood actor was robbed, while under contract, from young motherhood, at the time, with her only small child. She was forced to work 17hr days, five and a half work day weeks for a straight decade. Of course, these working conditions helped Corp. to cut costs in production. In addition, few would believe that Corp. couldn't have afforded to hire more people and invest more into their production budget in order to establish more fair and humane working conditions for their employees. *Even Ms. Anderson's early past history is proof of her convictions and activism concerning the too often oppressive and established ways of 'The Man'. It was these same convictions that demanded that she do the 'stand up guy' thing, regardless of the consequences to her own threatened well being. Ms. Anderson, as a young working mother, said no more and resigned for the sake of her small child and at great risk to her career. That's the coolest thing ever. Expectantly and immediately, Corp's 'scare & slander' and 'black-ball' tactics began against her. Corp. Hollywood's unspoken policy, as most can easily imagine, is that nobody quits them. Nobody. They quit you! She was never considered for any notable big name projects worthy of her hard earned decade of accomplishments thereafter. *In addition, her well earned--decade--of established and most polished reputation, and diligent work ethic, began to immediately tarnish upon tendering her resignation. This has happened because of the (cleverly difficult to prove) 'Corp. celeb biz' sponsored slanderous gossip columns; which attacks ones character, via skewed truths and innuendo. This Corp. Hollywood 'scare and slander' tactic is a vampire with a velvet touch. As many of her peers before her, that have said no to Corp. Hollywood, she has slipped into relative obscurity. She, understandably, has since left our US. and moved to the UK. *Gillian Anderson is just another Hollywood artist whose promising career, home and family, and personal life, has been unfairly damaged via Corporate Hollywood. And she is one of many. Some Americans take strong offense to having the people's Arts and our beloved artists exploited for the sole purpose of greed, engorging the accounts of billion-dollar, monopolizing corporate heads and corporations. Our society seriously needs our promising artists. Not one is unimportant. Not one. *God help the artist that makes the mistake of Rembrandt Von Ryan (see art history, 1600's Amsterdam) when applying for a job with Corp Hollywood; then stumbles, falls, and finds themselves unable to feed the parking meter if they don't have another kindred spirit to help left them up!!! "ACTORS ONLY GOOD AS LAST FILM"--NOT *A more accurate statement might read: An actor is only as free, protected, and financially independent as: * their last bank balance. * their self control to: regard all flattery as a net for their feet and avoid the temptations at the Corp. Hollywood table of delicacies. * their insight to maintain a bohemian-artist lifestyle after initial and long-term success. * their courage and faith (in a savings-bohemian-artist lifestyle) after initial success to 'say no' to projects that pervert their art and move to a plan B for producing their works. * their agent and publicist, who had better have an honorary PhD in sociology, psychology, philosophy, business, and psychology of film (see documentary about Alfred Hitchc**k) *their standing within Hollywood's old-money power structure. * their political pull, or luck, in getting themselves put into the 'A-list job pool' cash-cow projects, which are based on financially conscious scripts dependent on demographic studies. * their ability to take orders and not challenge the powerful corporate department heads, no matter how cruel or unfair their demands. * their luck in not getting their career and reputation squashed in a power struggle between two or more corp. dept. heads. * their insight to liquidate any unrealistic lifestyle and prepare for a long financial drought in a plan B (ASAP) when necessary. * their faith and courage to stop, rest, ponder for regrouping and refuse any crap scripts or projects that threaten their reputation ("worth more than treasures") or integrity when in a compromising position. * their ability to: endure and get a no-shame, therapeutic lifestyle--not bitterness--should the worst befall.' *their ability to: have the mental toughness to remember: few are they who do battle with the great without developing an irreversible P.T.S.D. That is something, not nothing. SUMMARY: *What sets the U.S. apart from post war Germany and facist states to include those currently in the Middle East? Is it differences in doing global business, commerce and trade; or our military generals? No. Suppossedly it's our Arts having total independence from oppression and free speech. That's what sets a free state apart from facist states. *Facist states strangle their people's Arts with an iron hand, for power and greed in their own personal, individual and political agendas. *Just because Corp. Hollywood does the same but like a vampire with a velvet touch, via the 'Corp. celeb biz', does it make it any less unlawful, dangereous and oppressive? This sucks. The Arts are society's civilization and they belong to the people, not the powerful and too often oppressive great. *Regarding the Arts in America's Hollywood, to quote the music group Modest Mouse, "this building is totally burning down!". This affects us all, man. *unFAME: COLUMN #1...part one of a five page column covering Corp. Hollywood's monopoly of the Arts in America's Hollywood. To be CONTINUED... (*syndication piece)

I adore Gillian Anderson. She is one of the most talented actors of our day. I wish her well with the start on this new road in her life and look forward to seeing her in more films...on this side of the ocean. I am especially looking forward to seeing a new X File movie. althingsc

I just wish Gillian really knew how much we all love, respect, and admire her. She may not live or care much for the States but we terribly miss her acting and would love to see much more of her on this side of the ocean! Also there are many, many, many of us that still watch and want another xfiles movie. The character Dana Scully she establish was the best role model for women I've ever seen.

I love the X Files!! David Duchovny is so cute and charming. The characters are played really well. The stories are just so amazing. Tooms has to be the scariest file!