Neil Pepe and Mary McCann - Shots of a host of stars as they arrived to the Opening night of The Heidi Chronicles which was held at the Music Box Theatre in New York City, New York, United States - Thursday 19th March 2015
Jeffory Lawson, Mary McCann and Neil Pepe - Opening night party for the Atlantic Theater Company production Posterity, held at Moran's restaurant - Arrivals. at Moran's restaurant, - New York City, New York, United States - Sunday 15th March 2015
Allen recounts both sides of his story concurrently, flip-flopping back and forth between his serious and lighthearted editions in order to highlight how the same basic plot outline can be molded for divergent purposes. In the film's solemn segment, Melinda is a neurotic, chain-smoking warning label against adultery, having lost her husband, custody of her children, and fragile hold on sanity because of a fling with a dashing Italian. Arriving on the Manhattan doorstep of her friends Lee (Jonny Lee Miller) and Laurel (Chloë Sevigny) during a get-together between friends and business associates, Melinda is a high-strung, near-anorexic mess, and her appearance eventually leads not only to a doomed romance with a dashing pianist and aspiring composer (Chiwetel Ejiofor, radiating intellectual charm), but also to the infidelity-incited end of struggling actor Lee and shopaholic Laurel's supposedly perfect marriage.
Continue reading: Melinda and Melinda Review
While these bookend scenes are uncharacteristically clunkyand deliberate, full of exposition designed to set the fictional stage,the two parallel stories are pure Woody Allen at his ironic, neurotic,romantic, poignant and peculiar best -- and they're deftly woven togetherto compliment and play off each other.
The underappreciated Radha Mitchell (she played wives in"FindingNeverland," "PhoneBooth" and "Manon Fire") may now get the recognition shedeserves with her remarkable performances in the dual title role as a flighty,suicidal beauty who arrives in each story by crashing a dinner party.
One Melinda is a new downstairs neighbor who knocks onthe Upper East Side door of wannabe filmmaker Amanda Peet (who flirts withrich men hoping they'll fund her independent movie "The CastrationSonata") and her husband, neurotic out-of-work actor Will Ferrell(the picture's requisite Woody surrogate, although with unpredicted nuanceFerrell makes the role his own). Pratfalling into the dining room, Melindaannounces she's just taken two dozen sleeping pills. The comical chaosthat ensues leads to friendships, infidelities and unrequited love, allorbiting around Melinda -- although she's largely unaware of the upheavalshe's wrought.
Continue reading: Melinda & Melinda Review
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