Harvey Miller had only just got out of prison having spent 12 months inside. Once reunited with his best pals Dempsey, Dodd and Charlie, he became hellbent on revenge, determined to get back at the man who put him inside in the first place: Steven Roper. After a 'business proposition' was made to him by a fellow prisoner, Harvey sets about planning the ultimate heist - a job that could bring them over £100,000, and not only that, he's willing to do anything to bring Roper down. Unfortunately, his plans go awry when he is subsequently arrested with a handful of eye-witnesses naming him as a criminal. Detective Inspector West, baffled at how the boys could've got a robbery so desperately wrong, hands over the opportunity to tell the truth from his point of view.
Continue: The Rise Trailer
With 26 short segments, it's expected that this horror anthology will be hit and miss. But the experiment is an intriguing one, as the producers gave 26 filmmakers a letter of the alphabet and complete artistic freedom. The result is a mix of clever invention, pointless silliness, head-scratching indulgence and blatant misfires. Oddly, while all of them indeed deal with death, only a couple are actually creepy.
From Nacho Vigalondo's Apocalypse to Yoshihiro Nishimura's Zetsumetsu, these films are packed with black humour and grisly violence. Some are produced to a very high standard, while others look like cheesy school projects. Highlights include the mind-bendingly clever Cycle (by Chile's Ernesto Diaz Espinoza), about a guy caught in a freaky time-loop, and XXL (from France's Xavier Gens), a rather revolting commentary on super-thin models. Other viciously inventive clips include Marcel Sarmiento Dogfight, set in a deranged fight club underworld, Jorge Michel Grau's Psycho-inspired Ingrown and Ben Wheatley's Unearthed, which offers a frenetic new perspective on the vampire genre. All of these add some social relevance to their brief scenes of nastiness.
Most shorts weave comedy into the grisliness, such as the Thai short Nuptials (by Banjong Pisathanakun), which takes an amusingly awful turn. Others are more gimmicky: Exterminate (by Angela Bettis) is a witty attempt to kill a spider, while the very brief Miscarriage (by Ti West) ends on a particularly yucky gag. And some are just wrong in every way: Libido (by Indonesia's Timo Tjahjanto) is the most repulsive game show you've ever seen; Hydro-Electric Diffusion (by Norway's Thomas Cappelen Malling) features a Nazi cat tormenting an Allied dog; and Fart (by Japan's Noburu Iguchi) is an indescribably outrageous tale of apocalyptic survival.
Continue reading: The ABCs Of Death Review
This film may look sleek and urgent, but it never feels like anything more than a run-of-the-mill London drugs thriller. The cast is good, and the imagery is striking, but it never adds anything new to the genre. And it certainly doesn't have the bracing impact of the original 1996 film, which introduced the world to Nicolas Winding Refn (Drive).
It centres on the young drug dealer Frank (Coyle), who with his friend Tony (Webb) is trying to bring a huge stash of drugs from Amsterdam to London. The cops are brutally trying to force Frank into turning in evidence against his supplier Milo (Buric), which puts him in a very bad position. With Milo's henchman (Ferda) breathing down his neck, Frank tries to call in his debts and raise enough cash so he and his stripper girlfriend Flo (Deyn) can get away. But all of his plans seem to go awry, which strains his relationship with Flo because he doesn't want to tell her the truth.
This is one of those movies in which events squeeze in on the central character from every side, forcing him to increasingly desperate actions. And Spanish director Prieto has a lurid visual style that jolts the screen with energy, even if it leaves everything feeling rather superficial. Coyle finds Frank's intriguing edges, playing him as a cocky nice guy whose confidence is beaten out of him. As he becomes a shell of himself, we have quite a bit of sympathy with him. So it's a shame that we never really feel much chemistry between Frank and Flo.
Continue reading: Pusher Review
Ray Collishaw and Mickey Mannock are two highly respected gangster cousins approaching retirement. Their visions of a relaxing retreat to a straight life are ruined when their gang loses a massive overseas delivery of the Russian Mafia's cocaine during a storm. Chased by enraged Russians and a vengeful police detective, the mob races across the continent through London, Amsterdam and Berlin in a bid to find a way to pay the Mafia back. Ray and Mickey hatch a devious robbery plan disguised as football hooligans for the upcoming England Vs. Germany match; they are about to embark on a diamond heist that could either define or terminate their criminal careers - and with a double agent among them, who knows which way it could go?
Continue: St George's Day Trailer
Working as a messenger in London, Joe (Compston) is a loner who doesn't like to be around people but is bored with his repetitive, numb life. Things improve when he reconnects with older brother John (Maskell) and his girlfriend Claire (Dylan). But Joe is terrified of violence, and rightly so, as both he and John are attacked in the streets. Then he meets John's street-thug friend Piggy (Anderson), who wears a rubber pig-nose as a disguise. He makes Joe feel eerily safe as he teaches him how to get revenge.
Continue reading: Piggy Review
Introverted but polite young man Joe is overcome with grief after beloved brother John is murdered by a violent gang following a heated disagreement in the local pub. The bereavement incites the arrival of one of John's old friends, Piggy, at his brother's doorstep.
Continue: Piggy Trailer
Bill, known to his friends as Wild Bill, has just been imprisoned for eight years for drug dealing. Now out on parole, he returns to his flat in a tower block in East London to find his two sons, Dean and Jimmy, living alone. Their mother abandoned them a while ago, so the respective fifteen and eleven year olds have been fending for themselves.
Continue: Wild Bill Trailer
Since their mum left nine months earlier, 15-year-old Dean (Poulter) has been taking care of 11-year-old brother Jimmy (Williams) by working in construction at the Olympic park. But Jimmy is failing at school and getting increasingly involved with a gang of local drug dealers (Gregory, Maskell and Rheon). Then after eight years in prison, their dad Bill (Creed-Miles) comes home, realising that he must show some responsibility to keep his sons from being taken into care. But they don't know him, and he doesn't know anything about being a father.
Continue reading: Wild Bill Review
James (Phillips) is a geeky misfit who has a sign above his head saying "loser". Literally. After his friend Ian (Grant) commits suicide, he receives a message from him that challenges him to learn how to talk to women. His friends (Leonidas and Grezo) encourage him to try, starting with an awkward chat at Ian's funeral with his school crush Hannah (Atkinson). He then starts a mentorship with cocky motivational speaker Ampersand (Conway), a disciple of womanising writer guru Zeus (Kemp). But this will require changing almost everything about himself.
Continue reading: How To Stop Being A Loser Review
Jay and Shel (Maskell and Buring) have a mercurial marriage, with full-tilt arguments followed by moments of tender closeness. Perhaps this has to do with their military backgrounds, but their young son Sam (Simpson) doesn't really understand. And neither does Jay's army pal Gal (Smiley), who visits for a tense dinner party with his girlfriend Fiona (Fryer). Then Jay and Gal embark on a business trip as a hitman duo, and as they progress through their kill list, they begin to fall into the clutches of what looks like a sinister pagan cult.
Continue reading: Kill List Review