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Small Apartments Trailer


Franklin Franklin is a wig-donning, Swiss wannabe loner who lives alone in a small apartment having previously lived with his mentally deranged brother Bernard. He's not the only eccentric character at the complex, however; his wacky neighbours include the Liquor store worker Tommy Balls, Tommy's herpes ridden girlfriend Rocky, the beautiful Simone and the ill-tempered Mr. Allspice. One day, Franklin finds himself in a spot of bother when he accidentally murders his landlord Mr. Olivetti when he pays him a visit about the rent (of lack of it). In an attempt to cover up the homicide, he clumsily stages it as a suicide, which the cops become very suspicious of. Things don't get any easier either, as his Franklin's brother dies suddenly from a brain tumour and he ends up getting badly beaten in the street. Will Franklin find that future that he dreams of? Or will his tedious life gradually spiral further out of control?

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The Paperboy Review


Excellent

Filmmaker Daniels follows up his acclaimed hit Precious with what might be the trashiest movie in recent memory: a swampy thriller packed with desperate characters hiding grisly secrets. Daniels and his cast dive headlong into this garish world, refusing to blink as they take us to the fringes of human behaviour. It's so marvellously audacious that we feel like we need a shower after watching it.

The film takes us into the steamy backwoods of central Florida in 1969, as Miami journalist Ward (McConaughey) returns home with his black colleague Yardley (Oyelowo), who sparks whispers of racism everywhere he goes. Staying with his editor dad (Glenn) and delivery boy brother Jack (Efron), Ward is investigating the case of death row inmate Hillary (Cusack), whose trashy fiancee Charlotte (Kidman) is filing an appeal. The 20-year-old Jack is instantly smitten with the overtly sexual Charlotte, who seems happy to seduce every man she meets. And as Ward, Yardley and Jack dig deeper into the case, they get several startling surprises.

Daniels keeps the film sweaty and snarky as he delves into the story's seriously dark corners. And the actors all go along with him. The always terrific Kidman really goes for broke here, prowling through each scene and oozing raw sexuality. It's no wonder she triggers Jack's lust, and Efron plays him with a delicate balance of intelligence and naivete, underscored of course with relentless horndog desire. None of the characters are as dumb as they look, and McConaughey, Oyelowo and especially Cusack revel in playing against expectations. Each actor packs every line with attitude and insinuation, creating fascinating chemistry along the way.

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Django Unchained Alternative Trailer


German bounty hunter Dr. King Schultz is on the hunt for a brutal gang of murderers, the Brittle brothers. His search leads him to the only person who has information on the group, Django, who is a slave living in the deep south of the States. Schultz crosses his path as he finds Django shackled to a group of other slaves who are all being taken to auction. Posing as a dentist, Schultz requests to buy him from his owners. On the owners' refusal, Schultz ruthlessly shoots them to death and takes the slave. The bounty hunter promises to free Django and take him to rescue his wife, Broomhilda, who has been enslaved by a Mississippi plantation owner on the dead or alive capture of the Brittle brothers. On their success, Schultz frees Django as promised but the pair decides to stick together as bounty hunters full time. Their search for Broomhilda leads him to the 'Candyland' plantation owner Calvin Candie who has trainer Ace Woody train slaves to fight each other for sport. The bounty hunters arouse suspicion from loyal house slave Stephen as they arrive to explore the property under a false guise and soon become under threat by a dangerous organisation who are determined not to let them escape with Broomhilda.

This western drama is directed by the award-winning director, writer and Quentin Tarantino ('Pulp Fiction', 'Kill Bill', 'Reservoir Dogs') and includes a star-studded cast. 'Django Unchained' is a thought provoking story set in the deep south of America two years before the Civil War. It was inspired by 60s western 'Django' along with its sequels and includes a cameo appearance from 'Django' star Franco Nero.</p><p>It is set for release on December 25th 2013 in the US and January 18th 2013 in the UK.

Directed By: Quentin Tarantino

Continue: Django Unchained Alternative Trailer

Django Unchained Trailer


German bounty hunter Dr. King Schultz is on the hunt for a brutal gang of murderers, the Brittle brothers. His search leads him to the only person who has information on the group, Django, who is a slave living in the deep south of the States. Schultz crosses his path as he finds Django shackled to a group of other slaves who are all being taken to auction. Posing as a dentist, Schultz requests to buy him from his owners. On the owners' refusal, Schultz ruthlessly shoots them to death and takes the slave. The bounty hunter promises to free Django and take him to rescue his wife, Broomhilda, who has been enslaved by a Mississippi plantation owner on the dead or alive capture of the Brittle brothers. On their success, Schultz frees Django as promised but the pair decides to stick together as bounty hunters full time. Their search for Broomhilda leads him to the 'Candyland' plantation owner Calvin Candie who has trainer Ace Woody train slaves to fight each other for sport. The bounty hunters arouse suspicion from loyal house slave Stephen as they arrive to explore the property under a false guise and soon become under threat by a dangerous organisation who are determined not to let them escape with Broomhilda.

Continue: Django Unchained Trailer

Lords of Dogtown Review


Good
Catherine Hardwicke's Lords of Dogtown tells virtually the same story recounted by Stacy Peralta's 2001 documentary Dogtown and Z-Boys, which autobiographically detailed his and his friends' teen years as pioneers of modern skateboard culture. Peralta, along with buddies Tony Alva and Jay Adams, were hardcore surfers from the grimy "Dogtown" of Venice, California, and with the help of some cutting-edge urethane wheels and legendary surfboard sculptor Skip Engblom - whose Zephyr store financed their original skate team, and bestowed them with the nickname "Z-Boys" - the brash trio became overnight icons for a new asphalt-grinding youth movement that championed experimentation and insolence in equal measures. Their rags-to-riches story is one in which triumph was achieved from go-for-broke rebelliousness, and thus stands as the complementary flip-side to Hardwicke's girls-gone-wild Thirteen, which illustrated the audacious and often-injurious lengths to which kids will go for attention, popularity and defiant thrills.

During the height of California's suffocating drought in the mid-1970s, quiet, long-haired Peralta (Elephant's John Robinson), cocky Alva (Raising Victor Vargas' Victor Rasuk), and self-destructive Adams (Emile Hirsch) began transferring their ocean-skimming techniques to the city's blacktop and empty swimming pools, resulting in an almost instantaneous phenomenon that thrust them onto the covers of magazines, into lucrative endorsement contracts, and onto the set of Charlie's Angels. Hardwicke's film (written by Peralta) presents this real-life tale with a mixture of exuberance and cautionary wariness, depicting the benefits (sex, money, fame) and pitfalls (jealousy, clashes over girls, obligations to their less-than-supportive parents) of these adolescents' sudden rise to superstardom. Thanks to Elliot Davis' bleached-out, nostalgically hazy cinematography (which mirrors the pulverizing propulsion of street skating by twirling, spinning and sticking low to the ground) and liberal use of thunderous '70s tunes by Hendrix and Sabbath, Hardwicke's period piece has a groovy, hard-charging dynamism. And as in her last film, the director - via Peralta and Adams' rivalry over Alva's sister Kathy (Nikki Reed) and Adams' difficulties at home with his irresponsible mom (Rebecca De Mornay) - laces such heady, sun-dappled optimism with an undercurrent of looming menace.

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Twenty Bucks Review


Good
Check to the right... and that's only part of the cast. Movie stars great and small came out for this production, the ultimate production of a screenplay that's been floating around since the Great Depression -- seriously, it was originally written that long ago.

The story is simple: There's no real plot or central character -- aside from a $20 that makes it way from a random pickup across several days and dozens of handlers. From a homeless woman (Linda Hunt) intent on buying a lottery ticket with it to the G-string of a stripper (Melora Walters) to a pair of thieves (Christopher Lloyd and Steve Buscemi) to many more characters normal and exotic, the bill gets filthier and filthier until its ultimate demise (and rebirth, back in the hands of Hunt's street urchin).

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Lords of Dogtown Review


Grim
"Lords of Dogtown" is a fictionalized accountof the birth of modern skateboarding that doesn't have half the spontaneityand maverick spirit of the vivid, kinetic, crowd-pleasing documentary thatinspired it.

2002's "Dogtownand Z-Boys" (now available in an excellentDVD) was an adrenaline-rush history of the Zephyr Skateboarding Team, adaredevil band of teenage surf bums who were the first to take wave-ridingmoves to the streets and empty swimming pools of drought-stricken SantaMonica in the early 1970s.

This handful of young turks (oneof whom became the director of that film andthe writer of this one) invented the board-gripping, back-scratching, wall-climbingstyle that launched the entire rebel culture of extreme sports -- but youwouldn't know it from "Lords of Dogtown," which concerns itselfmore with fabricated love triangles, unhappy home lives and rivalries thatformed when fame came calling.

While the performances of the young cast members -- keyZ-Boys are played by John Robinson from "Elephant,"Emile Hirsch from "TheGirl Next Door" and Victor Rasuk from "RaisingVictor Vargas" -- are multifaceted, they sometimes have the under-rehearsedfeel of a bawdier after-school special. Or maybe that's just the clumsyexpository dialogue: "Hey, I think we should start a skateboard team,man," says one shirtless, long-haired dude to another. "There'smoney in this!"

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