Natassia Malthe

Natassia Malthe

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This Means War Trailer


Agent 1 and Agent 2 are CIA Operatives who are also the best of friends who don't keep anything from each other. While at work one day, both agents tell each other about their respective girlfriends. When they express an interest in seeing what their girlfriends look like, they quickly turn their laptops around to show each other - but to their horror, their girlfriends turn out to be the same girl!

Continue: This Means War Trailer

World Premiere Of 'Fast & Furious' held at the Gibson Amphitheatre

Natassia Malthe and Gibson Amphitheatre Thursday 12th March 2009 World Premiere Of 'Fast & Furious' held at the Gibson Amphitheatre Universal City, California

Natassia Malthe and Gibson Amphitheatre

Nylon Magazine and MySpace's party to celebrate their 3rd Annual Music Issue

Natassia Malthe Tuesday 3rd June 2008 Nylon Magazine and MySpace's party to celebrate their 3rd Annual Music Issue Los Angeles, California

Natassia Malthe
Natassia Malthe
Natassia Malthe
Natassia Malthe
Natassia Malthe

Los Angeles premiere of 'Stop-Loss' - arrivals held at Directors Guild of America

Natassia Malthe and Directors Guild Of America Monday 17th March 2008 Los Angeles premiere of 'Stop-Loss' - arrivals held at Directors Guild of America Los Angeles, California

Natassia Malthe and Directors Guild Of America
Natassia Malthe and Directors Guild Of America
Natassia Malthe and Directors Guild Of America
Natassia Malthe and Directors Guild Of America
Natassia Malthe and Directors Guild Of America

Los Angeles Premiere of 'Stop-Loss' - Arrivals held at Directors Guild of America

Natassia Malthe and Directors Guild Of America Monday 17th March 2008 Los Angeles Premiere of 'Stop-Loss' - Arrivals held at Directors Guild of America Los Angeles, California

Natassia Malthe and Directors Guild Of America
Natassia Malthe and Directors Guild Of America
Natassia Malthe and Directors Guild Of America

UK premiere of 'The Accidental Husband' held at the Vue West End - Arrivals

Natassia Malthe Wednesday 13th February 2008 UK premiere of 'The Accidental Husband' held at the Vue West End - Arrivals London, England

Natassia Malthe
Natassia Malthe
Natassia Malthe

Skinwalkers Review


Terrible
Apparently, it's pretty hard to update the classic movie monsters. When filmmakers aren't turning every well known cinematic creep into a fey Eurotrash version of their former scary selves, they're reinventing the mythology into a mindless "gee whiz" joke. So it only seems fair that after zombies got hyper-activated and vampires gained the glum Goth seal of approval, werewolves would be next on the pointless reinvention list. And thanks to the New Age Native American tweak entitled Skinwalkers, these formerly ferocious beasts got the incredibly short end of the post-modern scream stick.

There's an ongoing war between two lupine factions. On the one side are those who feel that the ancient ability to shapeshift is a curse, and want desperately for an ambiguous prophecy to be fulfilled. Then there are the blood-addicted, supernatural junkies who love killing so much that they want to keep the foretold omen from occurring. And what is this fabled forecast? Seems a young boy, born of human mother and wolfman seed, will turn 13 and... well, that part's not all that clear. Apparently, once the kid hits puberty, he will put the depressed beasts out of their misery while buzz killing the other lycanthropes happy hunting. So naturally, one side protects the brat (named Timmy), while the other is looking to carve up his adolescent guts.

Continue reading: Skinwalkers Review

Doa: Dead Or Alive Review


Grim
Dead or Alive could be the most literal cinematic interpretation of a computer game ever made. In the film, three young women fight in a combat tournament called DOA: Dead or Alive, held on a top secret, technologically advanced Pacific island resort. As they kick, punch and scratch their way through a smorgasbord of fighters (and suitors), they are recorded by the island's invasive video cameras and watched on multiple screens in a computer laboratory by tournament director Donovan (Eric Roberts). Here's where it gets literal. Donovan injects all competitors with nanobots that record data from their blood stream. This data is relayed back into the computer system so that when Donovan (and the audience) views the fights, incongruous colored bars hover in the upper right and left corners of the screen, indicating the power levels of each competitor. Each time a player is hit, the bar reduces. As the bar is diminished, the fighter becomes more sluggish, until it disappears completely and the fighter collapses. When this happens, giant red and yellow words jump onto the screen and announce who won, who lost, and how.

Clearly, the filmmakers have respected the basic format of the DOA computer game and respected its fans. However, in respecting the computer game director Cory Yuen has disrespected cinema and forgotten the basic needs of a decent film: a good story, interesting characters and some sort of drama. DOA occasionally touches on all of these points, but kicks away in favor of a slavish desire to package the entire production in the style of its source material.

Continue reading: Doa: Dead Or Alive Review

Elektra Review


Terrible

Scantily clad action heroine with a sexy-tough pout? Check. Supernatural bad-guy gang of tattooed, Goth-punk clowns? Check. Hard-to-follow kung-fu fight scenes flash-edited to disguise actors' martial arts deficiencies? Check. A complete lack of adherence to its own internal logic? Double-check.

"Elektra" is the latest Marvel Comics superhero flick to roll off the assembly line, and it's such a half-hearted, prefabricated effort that even the normally charismatic Jennifer Garner can't save it.

Reprising her role from 2003's disastrous "Daredevil" adaptation (which she almost did save), Garner plays the title character -- a stereotypically brooding, ninja-trained super-assassin with a conscience who has been brought back from the dead by a generic, mystical army of good that is fighting a generic, mystical army of evil.

Continue reading: Elektra Review

Natassia Malthe

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