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Liam Neeson Shares Natasha Richardson's Final Phone Call In Heart-Breaking '60 Minutes' Interview [Video]


Liam Neeson Natasha Richardson

Liam Neeson has broken his silence five year after the tragic death of his wife Natasha Richardson in an emotionally raw interview on 60 Minutes with Anderson Cooper. Richardson, the English actress, died on the 18th March 2009 after she hit her head in a skiing accident in Quebec. The Taken star was the one who made the agonising decision to turn off her life support as she lay brain dead.

Liam Neeson Battleship Premiere
Liam Neeson Has Spoken About The Death Of His Wife, Natasha Richardson.

In the interview, Neeson guides Anderson around his upstate New York home and talks about the intense grief he has suffered in the aftermath of his loss. The 61 year-old film star also shared what must be one of his most painful memories, Natasha's final phone call to him after she'd had her accident. "I spoke to her and she said, 'Oh, darling. I've taken a tumble in the snow.' That's how she described it," Liam said.

Continue reading: Liam Neeson Shares Natasha Richardson's Final Phone Call In Heart-Breaking '60 Minutes' Interview [Video]

Natasha Richardson - Pre-BAFTA Dinner at Annabels London United Kingdom Saturday 9th February 2013

Fisher Stevens and Natasha Richardson - Fisher Stevens and Aidan Quinn New York City, USA - Celebrities attend the wake of Natasha Richardson at the American Irish Historical Society Friday 20th March 2009

Natasha Richardson Thursday 12th February 2009 amfAR New York Gala to Kick Off Fall 2009 Fashion Week at Cipriani on 42nd Street New York City, USA

Natasha Richardson
Natasha Richardson
Kenneth Cole and Natasha Richardson
Natasha Richardson

Natasha Richardson and Billy Elliot - Natasha Richardson and her sons, Michael Richard Antonio Neeson and Daniel Jack Neeson Thursday 13th November 2008 at Imperial Theatre New York City, USA

Natasha Richardson and Billy Elliot
Natasha Richardson and Billy Elliot
Natasha Richardson and Billy Elliot
Natasha Richardson and Billy Elliot
Natasha Richardson and Billy Elliot

Natasha Richardson and Liam Neeson - Natasha Richardson and Liam Neeson Wednesday 7th May 2008 at Ziegfeld Theatre New York City, USA

Natasha Richardson and Liam Neeson

The White Countess Review


Very Good
Audiences can expect one thing from the filmmaking team of Ismail Merchant and James Ivory: a Merchant Ivory film isn't meant to be watched, like other movies; it's meant to be visited, like a museum. While the results are sometimes dazzling and rich, and at others times stuffy and inert, the Merchant Ivory approach is nonetheless consistent. Each of their scripts lies somewhere between screenplay and novel. The attention they pay to period detail is lavish. And a Merchant Ivory cast typically reads like a roster of the world's leading thespians. Their most recent effort, The White Countess, is no different.

In it, all the Merchant Ivory hallmarks are present. The stalwart cast is led by Ralph Fiennes and a trio of Redgraves: Vanessa Redgrave, Lynn Redgrave, and Natasha Richardson, Vanessa Redgrave's daughter. The setting -- Shanghai in the period leading up to the Sino-Japanese War of 1937-1945 -- is lush and meticulously rendered. And the script, loosely adapted from Junichiro Tanizaki's novel The Diary of a Mad Old Man, was penned by acclaimed writer Kazuo Ishiguro.

Continue reading: The White Countess Review

The Comfort Of Strangers Review


Very Good
There's something about Venice that invites freaky behavior I suppose. Maybe it's the proximity to the water. Like New Orleans. Barbet Schroeder's The Comfort of Strangers makes excellent use of Venice's unique atmosphere and throws a little Walken into the mix. The story follows a young couple on holiday there. They get lost, encounter a wealthy man about town (Walken), and end up palling around with him a bit. He's alternately nice (letting them stay in his house) and cruel (punching poor Rupert Everett in the stomach), and ultimately things turn tragic. I won't pretend that the film makes a lick of sense, but it sure is fun to watch.

The White Countess Review


Very Good
Audiences can expect one thing from the filmmaking team of Ismail Merchant and James Ivory: a Merchant Ivory film isn't meant to be watched, like other movies; it's meant to be visited, like a museum. While the results are sometimes dazzling and rich, and at others times stuffy and inert, the Merchant Ivory approach is nonetheless consistent. Each of their scripts lies somewhere between screenplay and novel. The attention they pay to period detail is lavish. And a Merchant Ivory cast typically reads like a roster of the world's leading thespians. Their most recent effort, The White Countess, is no different.

In it, all the Merchant Ivory hallmarks are present. The stalwart cast is led by Ralph Fiennes and a trio of Redgraves: Vanessa Redgrave, Lynn Redgrave, and Natasha Richardson, Vanessa Redgrave's daughter. The setting -- Shanghai in the period leading up to the Sino-Japanese War of 1937-1945 -- is lush and meticulously rendered. And the script, loosely adapted from Junichiro Tanizaki's novel The Diary of a Mad Old Man, was penned by acclaimed writer Kazuo Ishiguro.

Continue reading: The White Countess Review

The Parent Trap (1998) Review


Good
Quaint remake of the original Trap, featuring the oh-so-cute Lohan as separated twins trying to reunite their parents. Amazing work for a kid her age, I must admit. Way too long, though.

The Handmaid's Tale Review


Very Good
Margaret Atwood's highly regarded novel came to the screen in 1990 in an uneven yet still gripping production (newly released on DVD). Natasha Richardson makes perhaps the biggest impact in her career as Offred, the "handmaid" at the center of a dystopic future where ultra-right wing factions are in control of the government, martial law rules, and biological agents have rendered 99% of women sterile. Those women who are still fertile and have been convicted of some crime, however ridiculous, become handmaids, stripped from their lives and sentenced to service the remaining rich and powerful, whose wives can't conceive children.

Offred finds herself at the mercy of a good-natured but subtly manipulative commander (Robert Duvall) and his faded-star wife Serena Joy (Faye Dunaway). And soon enough she slips her way into an underground aiming to overthrow the fascist regime.

Continue reading: The Handmaid's Tale Review

Blow Dry Review


Weak
Hmmm, what's this movie with Josh Hartnett and Rachael Leigh Cook on the cover? Must be some nutty teen comedy, right?

Well, with one cancer diagnosis and one death in the first 15 minutes, Blow Dry is hardly the feel-good romance you'd expect. Strikingly similar to The Big Tease, Blow Dry tells the story of a haircutting competition that descends on a small town in Britain. Celebrities (well, celebrity stylists) from around England arrive to compete, and the local boys get into the act as well. But while the drama unfolds with models and shears, another drama takes place among the locals -- largely involving various romances and a singular cancer victim.

Continue reading: Blow Dry Review

Nell Review


OK
Jodie Foster provides a rare letdown in Nell, the story of a woman raised in solitude by her stroke-victim mother. What could have been a poignant story about gender roles and ethics is instead another formula opposites-attract bit of touchy-feely schlock, where Foster actually, and I am not making this up, allows herself to perform "The Tittie Dance" on screen. Worth seeing only so you can try figure out why Foster thought this film was necessary.

Chelsea Walls Review


Good
New York living is all about location. And where you live is often a sign of your lifestyle. If you live in Brooklyn, it is assumed you are more artistically inclined then, say, someone living in Queens (though this borough is making a comeback with its cheap rent). But the most notorious creative residence in all of New York has been the Chelsea Hotel, as far back as anyone can remember. Boasting such notable alumni as Tennessee Williams, Arthur Miller, and Bob Dylan, there is still a laidback, comfortably scrappy atmosphere about the place when you walk by.

Ethan Hawke (Training Day) courageously attempts to capture the essence of what makes this landmark so addictive in his directorial debut, Chelsea Walls. A collage of character plotlines that only barely intersect, Chelsea is a unique and respectable experiment in its focus on an inanimate object as its central character. Backed by a score that appropriately feels as if it were written while observing the production, Hawke creates an environment easily accessible to both New Yorkers and the non-initiated.

Continue reading: Chelsea Walls Review

Blow Dry Review


Weak

"Blow Dry" is a leaden British dramedy about an estranged family of hairdressers reconciling when a big coiffeur competition comes to their small town. Like "The Big Tease" -- a similarly themed English mockumentary that came out last year, delaying the release of this one -- its laughs come mostly from tired flamboyancy stereotypes.

Hairdressers with over-styled, out-of-date dos and David Copperfield-like showmanship bite each other's backs to win what is apparently a prestigious award for clever and speedy hair cutting. Meanwhile a sad-sack local barber (Alan Rickman) enters the competition with his son (Josh Hartnett, "The Virgin Suicides") to face down his former salon partner (Bill Nighy), now the nation's star hairdresser and the dirty-tricking front-runner in the contest.

Besides suffering from the same problems "The Big Tease" had -- basically that it's a cliché-riddled underdog sports movie with a dye job and a limp wrist -- "Blow Dry" is also saddled with a maudlin, comedy-antidote subplot about Rickman's estranged lesbian ex-wife (Natasha Richardson), who is bravely dying of cancer 10 years after leaving him for his hair model (a criminally under-used Rachel Griffiths). Brought together again by the competition, everybody gets busy forgiving.

Continue reading: Blow Dry Review

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Natasha Richardson Movies

Wild Child Trailer

Wild Child Trailer

Wild Child Trailer Poppy is a 16 year old girl -played by Emma Roberts (Nancy...

Evening, Trailer Stream Trailer

Evening, Trailer Stream Trailer

Evening Trailer A truly extraordinary cast breathes glorious life into Susan Minot and Pulitzer Prize...

The White Countess Trailer

The White Countess Trailer

Shanghai, 1936 was a crossroads for political intrigue, refugees escaping turmoil, gathering military forces, international...

Asylum Movie Review

Asylum Movie Review

As cool and chiseled as star Natasha Richardson's face, Asylum (based on a novel by...

Maid in Manhattan Movie Review

Maid in Manhattan Movie Review

It wouldn't be the holiday season without fairy tales starring the likes of Santa, Rudolph,...

Waking Up in Reno Movie Review

Waking Up in Reno Movie Review

There are bad movies, and there are awful movies. And then there is Waking Up...

Blow Dry Movie Review

Blow Dry Movie Review

Hmmm, what's this movie with Josh Hartnett and Rachael Leigh Cook on the cover?...

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