Naomi Watts (born 28.9.1968)
Naomi Watts is a British-Australian actress. Her acting career began in Australian television, appearing in soap operas and series such as Home and Away and Brides of Christ.
Childhood: Naomi Watts was born in Shoreham, in Kent, to Myfanwy Edwards and Peter Watts. Her mother was an antiques dealer, as well as a costume and set designer. Her father was a sound engineer and tour manager, who worked with Pink Floyd, amongst others. Her father died whilst she was young and the family moved to her mother's homeland, Wales.
Watts has stated that she wanted to become an actress after watching the film Fame in 1980. Naomi's grandmother was Australian, so in 1982, it was easy for her mother to obtain passports for the family to move to Australia.
Whilst in Sydney, Naomi Watts attended Mosman High School and North Sydney Girls' High School (along with Nicole Kidman). In 1986, Watts took a break from acting to work as a model in Japan, but failed to make the grade and did not enjoy the work.
Upon returning to Australia, she was invited to take part in a drama workshop and this rekindled her passion for acting.
Acting Career: Naomi Watts started out acting in a number of Australian TV series, including the popular soap opera Home and Away (which also launched the careers of Dannii Minogue, Heath Ledger and Guy Pearce. She also appeared in the award-winning mini-series Brides of Christ and the sitcom Hey Dad...!
In 1991, Naomi Watts landed a role in the acclaimed 1991 film Flirting, along with Thandie Newton and Nicole Kidman. After making the decision to move to the States, Watts was then selected for the supporting role of Jet Girl in Tank Girl, which starred Lori Petty and Ice T and featured music by the likes of Hole, Devo, Iggy Pop and Portishead.
However, in her first few years in Hollywood, Naomi watts struggled to land the roles that she wanted. She missed out on roles in Meet the Parents, The Parent Trap and Man on the Moon, though she took a role in the B-movie Children of the Corn IV.
Watts' big breakthrough came in 2001, when she starred in The Shaft, which also featured James Marshall. Later that year Naomi Watts starred in David Lynch's acclaimed movie Mulholland Drive along with Laura Elena Harring and Justin Theroux. Watts' performance earned her the Best Actress gong at the National Society of Film Critics Awards.
2002 saw Naomi Watts star in The Ring, one of the biggest US box office hits of the year. The film was a remake of a cult Japanese horror and its success led on to Watts starring in Ned Kelly, opposite the late Heath Ledger, Orlando Bloom and Geoffrey Rush.
The Merchant Ivory film Le Divorce was released in 2003 and starred Naomi Watts along with Kate Hudson and Glenn Close. Building on her success, Watts went on to feature in 21 Grams, along with Benicio del Toro and Sean Penn. Her role in 21 Grams led to Watts being nominated for the Best Actress Academy Award, though she lost out to Charlize Theron.
In 2004, Watts produced the independent film We Don't Live Here Anymore, as well as appearing in it, alongside Mark Ruffalo, Laura Dern and Peter Krause. In The Assassination of Richard Nixon, Watts was reunited with Sean Penn and Don Cheadle, before teaming up with Jude Law and Dustin Hoffman in I Heart Huckabees. She also starred in the sequel to The Ring: The Ring Two.
Another successful turning point in Naomi Watts' acting career came in 2005 when she starred in the remake of King Kong, playing the role of Ann Darrow, with Adrien Brody and Jack Black filling the film's starring roles. With Peter Jackson at the helm, the film was a massive success, both in the USA and around the world.
The following year, Naomi Watts starred along with Ed Norton and Liev Schreiber in The Painted Veil. She also starred in a remake of the 1997 Austrian film Funny Games, along with Tim Roth. As the latest in a string of remakes, Naomi watts began to earn herself a reputation as 'queen of the remake'. She also appeared alongside Viggo Mortensen in David Cronenberg's Eastern Promises.
Jim Sheridan cast Naomi Watts in the thriller Dream House in 2010, to work alongside Daniel Craig and Rachel Weisz.
Personal Life: Naomi Watts is engaged to Liev Schreiber and they have two children together.
Liev Schreiber, Naomi Watts and Samuel Kai Schreiber - Bicycle made for three as Naomi Watts takes a back seat as she joins Liev Schreiber and son Samuel for a tandem ride through Manhattan - New York City, New York, United States - Wednesday 22nd July 2015
Naomi Watts, Liev Schreiber, Samuel Kai Schreiber and Alexander Pete Schreiber - Naomi Watts and husband Liev Schreiber go fishing off a pier in Malibu on Father's Day with their boys - Malibu, California, United States - Monday 22nd June 2015
The acting pals took to the stage for a snog in a shower cap
If it’s good enough for Britney and Madonna, Sandra and Scarlett and Amy and Tina, it's good enough for Austalian best friends Nicole Kidman and Naomi Watts, who went down the familiar celebrity route of ‘locking lips’ in public at a recent Women In Film event.
Nicole Kidman made a speech about female empowerment at a Women In Film event
With Kidman on the stage giving a speech about female empowerment, Watts joined her long-time pal and they went in for a big smooch both wearing, strangely, floral shower caps.
Continue reading: Nicole Kidman And Naomi Watts Are Not Afraid To Smooch For Females
The Oscar winner's new suicide drama is dividing opinion with its first screenings at Cannes.
Matthew Mcconaughey has completely reinvented himself since his shirt-on, shirt-off rom-com days, going on to star in darker and better-received dramas like Killer Joe, the acclaimed TV series True Detective, Christopher Nolan's space epic Interstellar and, of course, Dallas Buyers Club, for which he won his first Oscar. It looked like the man could do no wrong.
Matthew McConaughey's new film has gone down badly at Cannes
And then came the boos and laughter at the recent Cannes press screening of The Sea Of Trees, a spiritual drama in which he plays a suicidal man who has a life-changing encounter with a stranger in Japan's Aokigahara woods. As an A-list actor who's become much more used to praise in the last four years, McConaughey responded (we have to say, rather well) to the audience's negative reactions, saying, "Anyone has as much right to boo as they do to ovate".
Continue reading: First Boos And Now Applause For Matthew McConaughey's 'Sea Of Trees'
During the creation of the film 'While We're Young', the film's creators began to explore the idea of youth culture, and its obsession with the older generations.
With his new film 'While We're Young', Noah Baumbach (Frances Ha) takes a complex look at the impact of youth culture on the previous, older generation. This is done by depicting the often comical interaction of two couples: Naomi Watts and Ben Stiller in their mid-40s and Amanda Seyfried and Adam Driver in their mid-20s.
Ben Stiller and Naomi Watts in 'While We're Young'
Watts believes that the film pokes a hole in the current obsession with anything that seems young. "The funny thing about the film is that these people who pose themselves as this incredibly hip young couple turn out to be not as hip as they think they are," she said. "This endless fascination with the youth culture is there in all of us, and the irony of them using vinyl and typewriters and oh, let's leave it to questions and not know the answer, let's try and remember without looking things up on our phones! Ben and I are fooled into believing they are so pure. That becomes the genesis of our crush on them, and then we figure out they're not as authentic as they promise."
Continue reading: 'While We're Young' Tackles Youth Culture
Writer-director Noah Baumbach once again taps into a specific point in life with astute observational skill, even if the plot feels oddly forced. The vividly defined characters continually surprise with their awkward honesty, although this comedy-drama suffers from the contrived plotting of Greenberg (2010) rather than the free-spirited joy of Frances Ha (2012). Still, people on the cusp of middle age will find it hilariously, and worryingly, resonant.
In their early 40s, Josh and Cornelia (Ben Stiller and Naomi Watts) feel like everyone is judging them for not having children. And Josh has the additional pressure that his filmmaking career has stalled: he has nothing to show for eight years spent on his latest documentary. Then they meet 25-year-old aspiring filmmaker Jamie (Adam Driver) and his wife Darby (Amanda Seyfried), who inspire them to recapture their youthful interests in art and culture. Even their sex life begins to perk up. And Jamie encourages Josh to make progress on his movie, just as Jamie gets his own project underway, consulting with Cornelia's well-established filmmaker dad (Charles Grodin). But is this trans-generational friendship appropriate?
The fact that they even wonder that gives away Baumbach's own perspective, especially as he fills the film with witty contrasts that work a little too hard to make the point. For example, Josh collects CDs and DVDs while Jamie collects LPs and VHS tapes. Continual touches like this add lots of clever observational humour, although they also make everything feel a bit cartoonish and over-constructed. Plus of course the nagging sense that there's a right and wrong way these kinds of things should play out. Thankfully the dialogue is fiendishly smart, delivered to perfection by the gifted cast. And it helps that each of the actors are willing to be fairly unlikeable in his or her role, although Stiller is sometimes sent over the top with Josh's inexplicably harsh reactions to everyone around him.
Continue reading: While We're Young Review
With the story set up in the first film, 'Divergent', the sequel, 'Insurgent', is able to focus on the action and character development.
Unless you had read the book, last year's hit 'Divergent' probably left you scratching your head about the story set in post-war Chicago, where people are segmented into factions according to their personalities (Dauntless, Candor, Amity, Erudite and Abnegation), plus the factionless rebels and multi-factioned divergents. Basically it all felt rather contrived, and director Neil Burger's movie had to spend too much time trying to explain how it worked.
Maggie Q and Shailene Woodley in 'Divergent'
Now we move into the second chapter, 'Insurgent', and director Robert Schwentke can just get on with the story, playing down the odd structure of this closed-off city. So it's a much more involving movie that centres on the characters themselves, weaving the action into their personal situations while building a much more urgent sense of suspense up to another cliff-hanger ending. This also lets the female-dominated cast members shine, including Shailene Woodley, Kate Winslet and Naomi Watts, plus Octavia Spencer in a key cameo, and Ashley Judd in recurring flashbacks.
Continue reading: 'Insurgent' Spends More Time On Shailene Woodley And Characterisation
A sharp improvement on the original, this second entry in The Divergent Series has a much stronger sense of its premise and characters, which makes it much more exciting to watch. Where Divergent felt gimmicky and a bit shallow, this chapter pushes the characters much deeper, giving the actors a chance to bring them more engagingly to life, which makes the odd set-up more involving as well.
It picks up immediately where the first film ended, with Tris (Shailene Woodley) escaping from post-apocalyptic, segmented-society Chicago with her boyfriend Four (Theo James), her brother Caleb (Ansel Elgort) and their shifty cohort Peter (Miles Teller). Hiding out in the Amity agricultural community, they know that Erudite leader Janine (Kate Winslet) has sent her goons (Jai Courtney and Mekhi Phifer) to find them. Actually, she needs a divergent to open an artefact from the pre-war days so she can rid Chicago of pesky divergents forever. When their location is discovered, Tris and pals head back into the city, teaming up with factionless leader Joanna (Naomi Watts) and getting help from the head of Candor (Daniel Dae Kim) before going to Erudite to face Janine.
The story has a strong push to it, driving these rebels ever closer to a confrontation with their nasty nemesis, and their journey is fraught with surprise wrinkles, vicious battles and some mind-bending imagery. In fact, there are so many dreams, flashbacks and computer simulations that it's not always clear if what's on screen is actually happening or not. But it all looks so cool that we hang on to discover where it'll go next, so the two hours passes briskly, and sometimes breathlessly. The film looks terrific, as director Robert Schwentke keeps the focus on the characters while creating some amazing effects around them, especially in the simulation sequences.
Continue reading: Insurgent Review
With an epic Golden Globe awards ceremony set to take place on 11th January 2015, the contenders are taking a little time to relax before the stress kicks in.
With the 72nd Golden Globe Awards set to air on NBC on Sunday 11th January, the residents of Los Angeles are partying the remaining days away in anticipation of the celebration. Before converging on The Beverly Hilton this weekend, members of the casts for 'Birdman', 'Big Eyes' and 'The Hobbit' stopped by the Audi party.
Edward Norton - Best Supporting Actor Nominee (credit Jason Merritt - Getty Images)
Amongst those at the prestigious event were Edward Norton and Naomi Watts, who play the actor/actress couple Mike and Lesley in 'Birdman'. 'Birdman' itself is set to do well at the Golden Globes, as it has been nominated for seven awards, including 'Best Supporting Actor' for Norton. 'Birdman' has also been nominated for 'Best Picture - Musical or Comedy', 'Best Performance in a Motion Picture - Musical or Comedy', 'Best Supporting Performance in a Motion Picture - Drama, Musical or Comedy' (both actor and actress) and 'Best Director', 'Best Screenplay' and 'Best Original Score'.
Continue reading: Golden Globe Nominees Celebrate At Audi Pre-Event Party [Photos]
Mexican filmmaker Alejandro Gonzalez Inarritu continues to reject traditional narrative structures with this whizzy, ambitious exploration of celebrity, art and commerce. And the clever casting of Michael Keaton adds another layer of meaning to the whole film, which is shot as one long wildly entertaining single take and pointedly subtitled "The Unexpected Virtue of Ignorance". Blackly hilarious and darkly emotional, this is an exploration of how show business can push a person to the brink of madness. And maybe knock them over the edge.
Keaton stars as Riggan, once a top movie star known for his three Birdman blockbusters. But he hasn't done anything notable since, and is now trying to reboot his career by directing, adapting and starring in a Broadway play based on a Raymond Chandler story. The problem is that no one will let him escape from the iconic superhero character he's best known for, least of all Birdman himself, who mentally haunts and taunts Riggan at every turn. Meanwhile in the theatre, Riggan locks horns with costar Mike (Edward Nortan), a controlling show-off brought in at the request of lead actress Lesley (Naomi Watts). As opening night approaches, Riggan and his producer-friend Jake (Zach Galifianakis) are also struggling with the demands of high-maintenance costar Laura (Andrea Riseborough), plus distractions from Riggan's daughter-assistant (Emma Stone) and ex-wife (Amy Ryan).
Inarritu and ace cinematographer Emmanuel Lubezki tell this story as if it's one continuous snaky shot with the camera following Riggan through the maze-like backstage corridors, into the theatre and out into nearby Times Square streets. The virtuoso filmmaking is simply breathtaking, and it works perfectly because all of the characters are packed with pungent details and fully developed inner lives. The actors find all kinds of quirks that are both hilarious and darkly thoughtful, creating jagged interaction as they cross paths with each other, sparring riotously for attention. Every scene bristles with startling revelations and barbed jabs at the Hollywood system.
Continue reading: Birdman Review
Following on from the events of 'Divergent', the mysterious government has discovered a magical maguffin which had the power to create the idyllic future they have always hoped to fulfil. The only catch, is that it requires a Divergent in order to activate it. As the government begins testing any and all Divergents they can find, Tris (Shailene Woodley) is already on the run, and meets up with an army of secret, hidden Divergents. When it is revealed that she may be the only one to truly activate the maguffin, the Divergents rise up as an Insurgency, and take the fight to the government that has oppressed them for too long.
Continue: The Divergent Series: Insurgent Trailer
The cast and crew of 'Birdman' discuss the visionary filming techniques behind the movie in a short featurette. Among them are director, writer and producer Alejandro González Iñárritu, producers John Lesher and James W. Skotchdopole, and stars Michael Keaton, Edward Norton, Emma Stone, Naomi Watts, Zach Galifianakis, Andrea Riseborough and Amy Ryan.
Inarritu explains his initial idea of having the audience see the movie through the eyes of main character Riggan Thomas himself, which resulted in a one-take experience that struck fear in the hearts of the cast who, as Emma reveals, constantly had to be switched on in their roles. We also get a glimpse into the semi-hallucination effects that affect Riggan throughout the movie.
'BiRDMAN (or The Unexpected Virtue of Ignorance)' is released in UK cinemas on 1st January 2015.
Date of birth
28th September, 1968