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Beauty And The Beast (1946) Review


Essential
When Jean Cocteau began to direct Beauty and the Beast (La Belle et la bête) in 1946, he was known primarily as a poet and a painter. After the film was released he instantly became one of the finest French directors of his era. As it stands today Beauty and the Beast is still one of the best French films ever made.

The basic story, by Jeanne-Marie Leprince de Beaumont, is well known to most of us: A merchant (Marcel André) steals a rose from an estate owned by a beastly looking character. The Beast (Jean Marais) tells the merchant that he will spare his life if one of his daughters can stand in for him. The merchant reluctantly offers up his daughter Belle (Josette Day). She enters the Beast's world completely afraid of him but in time she grows to pity and then understand him. Ultimately she falls in love with him for his inner beauty rather than his external ugliness. And just about the time she accepts him for his ugly nature, he turns into a prince.

Continue reading: Beauty And The Beast (1946) Review

Les Biches Review


OK
Claude Chabrol's elegant love story is nonetheless quite the bore, with its beautiful bisexual femmes (one named "Why") and lazy evenings in front of velvet curtains. Jacqueline Sassard's supervixen is quite the eye-catcher, but she's so dull in the role it's hard to get much energy out of her raw sexuality. Stéphane Audran's Frédérique is even more hollow, an aging trollop looking for love on the French Riviera, no matter who it comes from. Story? Forget it.... this half-assed "thriller" is about as thrilling as meat loaf. The conclusion is as uninspired as it is droll.

Continue reading: Les Biches Review

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