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Director : Zhou Sun
Producer : Jianxin Huang, William Kong, Zhou Sun
Screenwriter : Cun Be, Zhou Sun, Mei Zhang
Starring : Gong Li, Tony Lueng Ka Fei, Honglei Sun
Zhou Yu’s Train is a movie in motion. By the time it’s over, you’ll have seen a
good deal of rural China, not to mention a corner of Tibet. As Zhou Yu (Gong
Li) rides the rails back and forth between her two boyfriends, you’ll feel her
confusion and her wanderlust, but you’ll feel boredom and a little motion
sickness, too.
A young and beautiful woman who doesn’t know what she wants out of life, Zhou
Yu seems to think that as long as she keeps moving, she won’t have to make any
tough decisions. She uses the time off from her job painting ceramics to travel
hundreds of miles twice a week to visit her boyfriend, Chen Qing (Tony Leung Ka
Fai), a librarian who writes and recites florid love poetry.
Chen Qing is easy to love. He’s unassuming, bookish (he actually lives in a
library), and terribly romantic. But every time he pushes Zhou Yu for a
commitment or tries to reel her in with yet another romantic poem, she runs for
the train station and heads home.
It’s on one of her train trips that she meets Zhang Qiang (Honglei Sun), a
veterinarian who admires both Zhou Yu and her pottery. An earthy pragmatist, he’
s the opposite of the cerebral Chen Qing, and even though Zhou Yu tells him she
already has a boyfriend, he persists and eventually wins her over… at least
until she runs for the train again.
To bottom line it in bar room terms: Zhou Yu is a major-league tease, and she
drives both men crazy with her flightiness. Chen Qing gets so frustrated that
he eventually puts in for a transfer to Tibet and heads for the hills. Moments
later, Zhou Yu realizes that he is the love of her life and that she may never
see him again.
Director Zhou Sun plays around with all sorts of cinematic tricks as if he’s
trying to impress his film school professor. He chops up the story and tells it
slightly out of sequence; he introduces a second female character also played
by Gong Li for no particular reason and has her serve as an almost reliable
narrator; and he includes far too many shots of green trains racing down the
tracks and over bridges hoping to symbolize something that is never really made
clear.
The goal seems to be to build up a swooningly romantic tale, something you don’
t see coming out of China too often, but even when Zhou Yu and Chen Qing roll
around on the uncomfortable looking bamboo mat he uses for a bed, lots of quick
cuts keep everything in the PG-13 arena. Before you know it, Zhou Yu is dashing
out the door to catch another train.
See Zhou Yu’s Train for the interesting Chinese scenery, or see it to feast
your eyes on the always beautiful Gong Li, but don’t see it for the drama. You’
ve heard of the romance of the rails? Well, not these rails.
Aka Zhou Yu de huo che.
Come on ride the train and choo-choo ride it.
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" Weak "
Rating: PG-13, 2002