Director : Agnieszka Holland
Producer : Jean-Pierre Ramsay Levi
Screenwriter : Christopher Hampton
Starring : Leonardo DiCaprio, David Thewlis, Romane Bohringer
Picture this: A movie about two 19th century French poets. How does that
sound? It sounds like a bad idea because it is a bad idea.
It's a worse idea than the talent in this picture would probably care to admit
to. Leonardo DiCaprio stars in yet another true-story-about-poets movie this
year, following up his excellent portrayal of teenage wacko Jim Carroll in The
Basketball Diaries with one of even more wacko teenager Arthur Rimbaud in Total
Eclipse. David Thewlis (Naked) is Paul Verlaine, a slightly older poet who
becomes entranced with Rimbaud, who returns his affections with little more
than scorn and physical abuse. Verlaine in turn passes this abuse on to his
pregnant wife, Mathilde (Romane Bohringer).
Verlaine tries to get inside Rimbaud's skin, ostensibly to make himself a
better poet, and the film spends inordinate amounts of time following their
misadventures: Verlaine and Rimbaud crash a party; Verlaine and Rimbaud frolic
in a field; Verlaine and Rimbaud frolic on the street; Verlaine and Rimbaud
frolic on a beach. Are you still awake?
Rimbaud ends up converting Verlaine from a mild-mannered gentleman into a
certifiable nut bar. And for some reason, they keep stabbing and shooting each
other when they aren't drinking absinthe to excess. In the end, the movie is a
nearly unwatchable look at a couple of people who we don't understand any
better by the time the film is over. In other words: a complete waste of time.
It wouldn't have been so bad if there was a speck of likeability in any of
these characters, but they are so disgusting and crass, I just wanted to leave
the theater halfway through. But I didn't. Instead, I stuck it out to see if
some big payoff awaited me for wading through the 110 minutes of boredom, but
alas there was none. I was afraid the movie was never going to end with its
drawn-out, weepy, melodramatic finale. Boo hoo.
Director Agnieszka Holland has a bad habit of making either really good movies
(Europa, Europa) or really bad ones (Olivier, Olivier). Total Eclipse is her
worst, with the stylistic direction earning the film its 1/2 star. That's
being generous.
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" Terrible "
Rating: R, 1995
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