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Director : Michael Bay
Producer : Michael Bay, Ian Bryce, Laurie MacDonald, Walter F. Parkes
Screenwriter : Alex Kurtzman, Roberto Orci, Caspian Tredwell-Owen
Starring : Ewan McGregor, Scarlett Johansson, Djimon Hounsou, Sean Bean, Steve Buscemi, Michael Clarke Duncan, Ethan Phillips
If you're going to clone someone, Scarlett Johansson is a damn good choice. But
putting Scarlett in an action movie -- and dying her hair blonde? You can't be
serious.
I am serious. And while The Island isn't exactly a great film, the case for
Johansson as action starlet has been made, handily.
And oh yeah, there's like a story or something to the movie she's in with Ewan
McGregor. Truth be told, McGregor is the star of the show, not Johansson. Oh
well, here's the gist, anyway: We're dropped into this universe with little
more than a hello and a slap on the ass. McGregor is Lincoln Six Echo, a man
living in a super-clean future (2019), but all isn't well. Over the next 30 or
40 minutes, we learn the following: A plague has wiped out almost all life on
earth, and the only survivors are now living in a sterile tower with no
connection to the outside world.
Newly found "survivors" regularly arrive at the facility, but after going
through the "decontamination process" they revert to near-children, unable to
read or follow simple instructions. They have to re-learn everything from
scratch, with the help of the facility's near-draconian managers, which monitor
everything about the residents' lives, from urine content to the number of
seconds they can touch a member of the opposite sex. But all the residents have
one thing to look forward to: Periodic lotteries which offer the winner a
permanent trip to "The Island," the world's only locale not infested with
plague.
Deliciously confusing and frequently clever, the first act rapidly immerses us
in this futuristic world and lets us chew on what life must be like in this
cold tube.
And of course, it's nothing like this at all: Lincoln and his favorite gal
Jordan (Johannson) are clones, and their world is a complete lie⦠which I have
to leave at that, lest I spoil the little bit of additional plot there is. Why
isn't there more to say? Because after those first 40 minutes, the well runs
dry. (It's unsurprising that two of the three writers work on TV's Alias, and
the film dies out just when their show would be hitting the closing credits.)
After the cool intro, we suddenly realize that we're watching a Michael Bay
movie. So people need to start running, and things need to start exploding.
Stat.
Now before we all start ripping on Bay, let's remember that he has made some
good movies in the past. Ok, he made a good movie, 1996's The Rock. And at
least Armageddon and Pearl Harbor proved that he knows how deal with hefty
special effects. The Island's all full up in that department: With mammoth
sets, incredible action, and wild vehicles (on land, air, and sea), FX fans
will not go wanting in the film. (The required car chase, in which enormous
train wheels fall from a semi and collide with all manner of vehicles, takes
the crown for road-based action from The Matrix Reloaded. The flying motorcycle
is pretty cool, too.)
Story fans, however, aren't going to be impressed. After its tantalizing
opening, The Island falls flat on its face in the plot department. Lincoln and
Jordan spend the next two hours running from cops, scientists, and themselves
(comprende?) as they escape the clone factory and try to figure out what to do
next. Because of their innocent world view, there isn't a lot of forethought
going into any of this, so they pretty much just run, all set to the Michael
Bay playbook of low-angle shots, slow-motion, and scenes which conveniently put
the sun right behind people's sweaty heads. When the duo fall 70 stories and
manage to survive without a scratch, we realize we've long since left any
semblance of realism behind.
You'll also find yourself pained by scientific inconsistencies throughout the
film: Why are there old clones? How on earth would a clone recover his original
self's memories? (The film's explanation is simple: It's impossible, but it
happened anyway.) So much of The Island's later revelations smack of plot
devices that it starts to get irritating.
In a perfect world, The Island could have been a sort of Minority Report meets
The Truman Show. Instead, it ends up being a big-budget Logan's Run, albeit one
with a great opening third. But it doesn't last. After 2 1/2 grueling hours of
this, you'll be begging for a trip to the island yourself. A real island, I
mean. Not the movie.
Express flight to the island leaves now.
| Write for us |
" OK "
Rating: PG-13, 2005
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