Director : Roman Polanski
Producer : Gene Gutowski
Screenwriter : Gérard Brach, Roman Polanski
Starring : Jack MacGowran, Roman Polanski, Alfie Bass, Jessie Robins, Sharon Tate, Ferdy Mayne, Iain Quarrier
Even when he’s at his most serious (The Pianist), his most stately (Tess), his
most gruesome (Macbeth), Roman Polanski is a director with a keen, sardonic
black wit. The “real” world, for Polanski, is one in which you might find human
teeth embedded in the walls, where the neighbors might happen to be Satanists,
where Donald Pleasance appears in drag. It’s scary, but for Polanski (who lived
through unimaginable horrors himself), it’s blackly funny, too. And if the
material is ostensibly quite heavy, as it is in The Pianist, so much the
better. Weren’t Nazis a kind of monster after all? How absurd was their rise to
power? And how absurd the situations in which his protagonist found himself
obliged to live?
Still, there are few declared comedies in Polanski’s filmography. The best of
these, 1967’s The Fearless Vampire Killers (known outside the U.S. as Dance of
the Vampires, and the basis of a recent, successful, European stage musical),
is newly available on DVD.
Of course, even here the humor is premised on horror. The film follows the
adventures of one Professor Abronsius (Jack MacGowran) and his classically
bumbling assistant Alfred (well played by Polanski himself), the fearless
killers of the title, whose travels take them to a Transylvanian inn blanketed
with snow. This inn is festooned with garlic; could there be vampires in the
castle nearby? As in Kafka, the locals won’t quite say. Alfred, being a young
man, falls in love with the innkeeper’s daughter Sara (Sharon Tate), but the
nefarious castle-owner, a certain Count von Krolock (wonderfully played by
Ferdy Mayne), chooses her as his victim, and the hunt is underway.
The Fearless Vampire Killers has the bright, cheap look of the kind of Hammer
horror films that were produced in abundance in its day, and a tone that’s
marvelously balanced between garish horror and broad, neck-breaking comedy.
Like the Hammer films, it’s sexy, in a teasing way, too, particularly in the
presence of Tate. (Polanski and Tate fell in love on the set and were
subsequently wed; she was murdered by the Manson family a short two years
later.) Even the stupidest of the jokes in Fearless Vampire Killers – there is,
for instance, a Jewish vampire who isn’t much bothered by the cross a potential
victim waves at him – are redeemed by the movie’s macabre silliness and
folkloric atmosphere. And as for the garlic, the vampires here just don’t care.
The Fearless Vampire Killers was Polanski’s first big-budget feature, and it
was saddled with its terrible title (The Fearless Vampire Killers, or Pardon
Me, But Your Teeth Are in My Neck in full) by a nervous studio for its American
release. The film was also re-edited so badly that Polanski asked that his name
be withdrawn from the credits. This DVD provides the full Polanski-approved
version and a making-of featurette. Check it out.
Aka The Fearless Vampire Killers, or Pardon Me, Your Teeth Are in My Neck,
Dance of the Vampires, The Vampire Killers, Vampire Ball.
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" Good "
Rating: NR, 1967