Pitch Perfect Movie Review

You can call this Glee meets Mean Girls if you want to, but this riotously intelligent comedy is much better than that. With one of the funniest scripts of the year, the film keeps us laughing all the way through, never running out of witty gags even when the rather predictable plot kicks into gear. But then, we never really care where the story's going when getting there is this much fun. And honestly, we never want this movie to end.

Anna Kendrick stars as Beca, a young woman who would rather mix mash-up tracks than attend a boring university. But here she is, so she decides to make a go of it by getting a job at the student radio station and joining the women's competitive a cappella group, the Bellas. But control-freak leader Aubrey (Camp) is annoyed to have the snarky Beca in her group, to say nothing of self-named Fat Amy (Wilson). Meanwhile, Beca's colleague at the radio station, Jesse (Astin), joins the champion male group the Troublemakers, led by the arrogant Bumper (DeVine). But as Beca and Jesse start to become friends, they risk running afoul of Aubrey's only rule: Bellas cannot date Troublemakers.

This rom-com plot isn't the focus of the film, nor is the impending a cappella championship, which we know from the start will be a showdown between the two groups. No, the focus is on the individual journeys of the characters, and even the smallest side characters are given space in which to grow on us. They're also brilliantly well-played by the entire cast, anchored by a solid, surprisingly layered turn from Kendrick. But the film's real scene-stealers are Banks and Higgins as competition commentators who reel off snappy jokes with such blinding speed that we can barely breathe whenever they're on screen.

Both filmmakers and actors invest a lot of meaty themes into these characters, and they also have a great time with the infectious music, including a fabulous riff-off and an exhilarating climactic mega mash-up. We also get a spirited look at the workings of the a cappella subculture that's as jaggedly funny as Strictly Ballroom's jab at ballroom dancing. And for every sophisticated joke in the script, writer Cannon remembers that we like astute broad comedy just as much. Projectile vomiting has never been this funny.

Rich Cline