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Director : Cheryl Dunye
Producer : Eddie Griffin, Happy Walters
Screenwriter : Eddie Griffin, Damon Coke Daniels, Brent Goldberg, David T. Wagner
Starring : Eddie Griffin, Anthony Anderson, Michael Imperioli, Method Man, John Amos
As I took that long, dark drive home from the multiplex after watching My Baby’
s Daddy, all I thought about was Raging Bull. Well, actually one scene, after
boxer Jake LaMotta (Robert De Niro) has had the crap beaten out of him by Sugar
Ray Robinson. As LaMotta, bruised and bleeding, exits the ring, he shouts to
Robinson, “You didn’t get me down, Ray!”
No quote better captures the excruciating experience of watching, or rather
surviving, My Baby’s Daddy. It’s stupid and pointless. It’s vulgar and crass
without being remotely funny. It’s racist and creepy, with a streak of
sentimentality that’s as genuine as a con man’s handshake. It’s full of more
clichés than TV Land’s primetime lineup. Writing a review is almost pointless,
because anything I write will sound like a warning screamed from the rooftop.
This Miramax(!) comedy stars Eddie Griffin, Anthony Anderson, and Michael
Imperioli as three lifelong buds from Philadelphia. They seem to have a blessed
life, they’re single, living free and throwing the best house parties around.
However, their lives get turned upside down when their paramours announce that
they’re pregnant. The guys have to struggle with this new development and learn
to become adults.
Of course, plenty of comedy has to ensure. Or, I’m sure that’s what the four
screenwriters, including Griffin, intended. That’s right, four writers give us
lame white rappers, elderly Chinese folks spouting hip hop lingo, flatulence
aplenty, babies peeing, babies talking like a Teddy Pendergrass song, poor John
Amos acting grumpy, five-year-olds acting like pimps, Eddie Griffin acting like
a ‘70s pimp, Tiny Lister doing a lame Suge Knight routine, supposedly funny
Chinese names (Bling-Bling, for example) and a birthing scene set to the rap
classic “Push It.”
All of this is hurled at the hapless audience, with the characters serving as
soulless instruments to deliver the “jokes.” Important characters, like the
guys’ girlfriends, float in and out when needed to drum up laughs or to have
the guys prove they have a soft spot. There’s no sense of this being a complete
movie, but rather a bunch of extended, painful setups to try to deliver laughs
and knowing smiles that never arrive. This is not only lazy writing and
directing, but it’s just plain patronizing to the audience.
People always complain that movie reviewers don’t know how to “enjoy” a movie.
But, as my colleague Jeremiah Kipp recently wrote, “It takes a brain to be
entertained! You’re actively involved when you laugh.” Watch My Baby’s Daddy
and you’ll see that no one bothers to engage the audience at that level. The
result is no more engaging or provoking than watching a blank screen, which I
recommend over paying money to see this.
Deleted scenes and outtakes enhance the film's DVD.
Lucky kid.
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" Unbearable "
Rating: PG-13, 2004
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